Unpopular Opinions: Muppet Babies 2018

Back in September, Twinsanity did a Peeks on Disney’s 2018 reboot of Muppet Babies.

MB Reboot Title Card 1

Here’s the intro. Kick it!

Now since I’m The Ancient One, I was around to have seen the original Jim Henson’s Muppet Babies series from 1984. Given this, you might be expecting me to be saying:

Little Lord Fauntleroy

“It’s different than what I remember. Childhood Ruined!”

…However, I’m going to risk ticking off a lot of 80’s kids by saying today’s Unpopular Opinion: having now seen both, I think the Muppet Babies reboot is better.

Believe it or not.

Allow me to elaborate on why I feel that this new Muppet Babies trumps the original:

Muppet_Babies_2018_playtable

For one thing, this show’s premise and setting make more sense. The 2018 series takes place in a day care center, as opposed to the title characters all living together in some strange house with no parents or master and never leaving. As I previously mentioned in our Retro Bin of Little Muppet Monsters, the 80’s Muppet Babies premise makes zero sense if you try to break it down logically.

In addition, on this show the characters actually go outside once in a while!

Muppet Babies 2018 Backyard 1

Seriously, I remember an episode of the 80’s show where the Babies were learning to swim, and they had a wading pool in the nursery! Were those kids agorophobes or what?

I like how they have these little tube slides that take them into the backyard set, and how said yard, in addition to having the standard stuff like a treehouse, a merry-go-round and a tire swing, there are specific props and areas for each character: a faux pond for Kermit, a stand-up stage for Fozzie, a cannon for Gonzo, a dressing room She-Shed for Piggy and an easel for Summer.

Camilla

Not to mention a chicken coop which houses a set of oddly round chickens, including this show’s take on Camilla.

Ed

“I like chickens, Eddy!”

BABY SUMMER

Speaking of Summer Penguin (heh-a penguin named Summer–good one), I’ll bet you’re expecting me to say “She’s an OC and she’s not Skeeter so I hate her!”, but no, I’ve got no beef with Summer. First, the writers didn’t simply put Skeeter’s brain into a new character’s body; Summer has an altogether different personality than Skeeter. Whereas Skeeter was athletic, Summer’s more of a creative artistic type. She carves her own swath, and fits in well.

Summer Asleep

Plus, she’s too freaking cute to dislike!

As for the inevitable “Why Summer and not Skeeter?” question, as Jason noted in Peeks, I think reducing the number of main characters was a smart decision; Kermit, Piggy, Gonzo, Fozzie and Animal were always the dominant characters; Scooter, Skeeter and (especially) Rowlf, aside from the occasional stand-out moment, were for the most part just kind of there. While we’re on the subject, I’ll hit you with another Unpopular Opinion regarding Scooter and Skeeter:

Skeeter_Scooter_MB_2018

I like the idea of 2 of the characters being twins more than I liked those specific characters. Yeah, I did think it was kind of interesting how the girl was the bolder twin and the boy was the more reserved one, but I’ve seen better examples of that.

Kim and Kam

Kim and Kam from Cartoon Network’s Class of 3000, for example. Google it.

This show’s takes on some of the characters are also just plain better. One example of this is Animal.

Animal

When I first saw the original series in ’84, I thought Animal was an odd inclusion (He wasn’t one of the characters featured in the original Muppet Babies sequence from The Muppets Take Manhattan, after all), but at the same time I did see some potential in a kid version of his character, unfortunately, the ’84 series completely screwed him up. They tried to tack on this whole lame “He’s younger than the others” shtick as a way to explain his wild, feral behavior. This show doesn’t try any of that, as it’s simply not needed. We don’t need an explanation as to why Animal is wild, he just is. A feral kid is no stranger than anyone else on this show. If you don’t need an explanation for banjo-playing frogs, stand-up comedian bears and diva pigs, then you should be able to accept that one of the kids is a Wild Child.

Baby_Animal_drums_2018

I also like how this show remembers that Animal is a freaking drummer. This was barely mentioned in the first series (I remember Animal playing the drums once in the musical number of the episode “Dental Hyjinx”, but that was about it.) No, I’m not implying that Animal should carry his drum kit around with him wherever he goes, his hands should be drumsticks and his head should be a giant drum, but that is his character (Animal was partially inspired by the Rolling Stones’ drummer Keith Moon, who is likewise a wild man, even famous drummer Buddy Rich once said of Animal: “He’s the drummer; all drummers are animals”), so it only makes sense for Animal’s role on The Muppet Show to be incorporated into Muppet Babies like the others’ shticks.

Baby_Piggy_2018

I also greatly prefer this show’s take on Piggy. She’s still a full-tilt diva, but Miss Piggy’s always been a prima donna, that’s her character, I wouldn’t expect her not to be vain and a spotlight hog (sorry, couldn’t resist!), but here she manages to be a prima donna without crossing over into being obnoxious and overbearing about it. I also like the modifications to her daily outfit, like making the bow in her hair sparkly and dark pink and the stars on her dress, reflecting her ‘superstar’ nature. Nice touch.

Gonzo Upside Down GIF

And I’m really digging this show’s take on Gonzo. Kudos go to Disney for bringing the character back to his roots.

Gonzo Stunt

Gonzo here is an excitable adrenaline junkie and all-around oddball who lives for mind-blowing stunts (like with Animal, this show’s producers remembered that Gonzo does stunts) and high-concept stuff that only he understands, loves chickens and is not afraid to march to his own beat. THIS is the Gonzo that I admired, identified with and was one of my favorite Muppets as a kid; I like this show’s version of Gonzo MUCH more than that thing was walking around in his skin in the later seasons of the 80’s show. I’ll never forgive the original series for turning who was always one of the coolest Muppets into some wimpy, lovesick loser hopelessly pining away for Piggy (who in turn treated him like the scum you scrape off tomato soup) and whose sole motivation for doing anything was to get with her.

The 80’s show turned Gonzo into Wilshire Brentwood from Beverly Hills Teens, and I couldn’t stand it.

Wilshire Brentwood

For those who don’t know, Beverly Hills Teens was a cartoon produced by DIC in the mid-to-late 80’s. The character of Wilshire was a teen who was hopelessly smitten with the show’s resident mean girl, Bianca Dupree, to the point where he acted as her personal chauffeur/lackey/doormat, despite his being as rich as the other teens, just to be with her. Google that also.

That revised take on Gonzo infuriated me so much that I stopped watching the 80’s show after a while; I didn’t see the point in continuing to watch when one of my favorite characters was essentially gone. But there’s (thankfully) none of that here: on this show we get ‘classic’ Gonzo back, and I couldn’t be happier.

Gonzo

I also dig the new symbol Gonzo wears in his overalls, a blue lightning bolt with wings. Reminds me of a Cutie Mark.

I also prefer this show’s shorter stories and the revised story structure. The simpler, 11-minute plots are an improvement, as I felt that many of the 80’s show plots seemed padded out. There are still fantasy sequences, but they’re always brief, to-the-point and never overdone, and here the characters don’t toss around pop-culture references like dollar bills at a strip club; no doubt it was felt that a ton of pop-culture references would likely fly over the heads of the younger viewers, not to mention date the show ferociously, which kind of happened with the 80’s show. (There are also no TV show or movie clips inserted into the action, since Disney would have to pay for clips of any property they don’t own, which was also a hindrance the 80’s show suffered from. It’s because of the extensive use of licensed footage that the 80’s Muppet Babies never got a proper DVD release.)

So overall, I feel that this new Muppet Babies stands head-and-shoulders above the original. If I have one nitpick about this reboot, it’s this:

Muppet_Babies_2018

On this show, the characters are around 4 years old, so the title’s a misnomer, as they’re technically not babies, but I guess Muppet Pre-Schoolers didn’t have the same ring to it.

The Retro Bin: Little Muppet Monsters (1985)

Mark this day on your calendars, for you’re about to witness something historic: we’re about to dig into the first Retro Bin entry that’s not about a Hanna-Barbera cartoon! It’s not that we have a grudge against HB, it’s just that the Retro Boxes typically cover toons from the 70’s through 90’s, and HB produced a lot of stuff during that era, so there’s a lot of that studio’s shows to cover. But we don’t just riff on Hanna-Barbera’s retro-cheese, we’re equal opportunity wise-crackers. Now, on with the review:

Today we’ll be looking at Jim Henson’s Little Muppet Monsters, an extremely short-lived live-action/puppet/animation hybrid series which ran briefly on CBS. If you don’t remember this show, that’s hardly surprising; Little Muppet Monsters is one of those shows that takes longer to talk about than it actually ran, which was for exactly 3 weeks from September 14 to September 28, 1985.

 
First, a little history is required: in order to review Little Muppet Monsters, one must first familiarize ourselves with CBS SatAM at that time. Into the WABAC machine….
 
The year was 1985. CBS was riding high on the success of their Saturday morning cartoon series Jim Henson’s Muppet Babies, which was itself based on a brief but highly popular musical fantasy sequence from the film The Muppets Take Manhattan, released a year earlier in 1984, in which Miss Piggy poses the hypothetical question of what it might have been like if the Muppet Show gang had known each other when they were little. Muppet Babies was therefore based entirely in un-reality, which is good because if one were to ever stop and ponder the show in any kind of canonical fashion, it would only raise a ton of puzzling unanswerable questions, such as: why, if only 2 of the Muppet Babies, Scooter and Skeeter, were related, did they all live together in the same house? And where were their parents? Nanny (voiced by Barbara “June Cleaver” Billingsley) was clearly just a domestic and not the owner of the place. So just where and what was this house with no master where the Muppets lived? (It might have been more plausible if the producers had made the house a nursery school or a day care center.) And speaking of Scooter, why was he even there? On The Muppet Show, Scooter was just a kid while the other characters were adults, so logically, neither he nor Kermit’s nephew Robin should have been on MB at all, as realistically they weren’t even gleams in their moms’ eyes during that time. And what was the deal with Bunsen and Beaker? They didn’t live with the other Babies; they just occasionally visited, so where did they live, and who was in charge of them? And why and how does a baby (albeit a baby scientist) have a baby assistant? How does that work? Or perhaps Bunsen and Beaker were/are brothers? And why was Baby Piggy still macking on Baby Kermit? If we’re supposed to believe that for this series, Kermit and Piggy grew up together and were raised together in the same house no less, then they should feel more like brother and sister. And what was up with Animal? Since when was he “younger” than the others, like they tried to established on the show? I suppose they just needed a reason to explain why he was the way he was, i.e., more feral and animal-like than the actual animals on the show. I had always suspected that his behavior was due to years of living the hardcore rock-and-roll lifestyle, months on the road, wild parties, alleged sex with groupies and years of being fried had simply taken their toll on him. There I go over-thinking things again. Muppet Babies is just one of those shows where it’s best to check your brain at the door and simply roll with it, as any hint of logic would’ve killed the entire series.
 
-Incidentally, I know I haven’t said much about Little Muppet Monsters yet, but given the show’s lifetime was so brief, there really isn’t much to say about it other than “It happened”. Anywho, Muppet Babies was a huge ratings hit; it did so well in its’ first season that CBS wanted to expand the show to an hour, thus Team Henson created a second show to fill out an additional half-hour; the combined venture was called Jim Henson’s Muppets, Babies and Monsters.
 
“The concept of this second half-hour was neither simple nor particularly well-developed,” according to storyboard director Scott Shaw. LMM focused on a trio of live-action (Muppet) monster kids named Tug, Boo and Molly. The 3 offered little in the way of characterization, as the series wasn’t around long enough for any of them to establish any solid identities. Tug and Boo were brothers and Molly was the token girl, but beyond that there wasn’t much to say about them. The show’s premise was that the trio had started their own TV station from the basement of the adult Muppets’ home (so wait, all of the Muppets live together in one house? Was this the same continuity as Muppets from Space?) which broadcasts only to the TV sets in the house upstairs, after an incident where Scooter has them put in the basement after Molly and Boo played water polo in the living room. (Again, huh? Since when is Scooter any kind of authority figure? It’s amazing how even Henson studio tends to forget that Scooter’s just a kid.) The kids were joined by Nicky Napoleon and his Emperor Penguins as their music act/house band.
 
 
 
 
The ‘shows’ broadcast on this quasi TV station were mostly recycled segments from The Muppet Show, only in animated form (CBS must’ve figured if kids will watch animated Muppet Babies, they’ll watch animated Muppet everything else), such as “Pigs in Space”, “Muppet Sport Shorts” featuring Animal for some reason (the dude’s a rocker, not a jock), “Fozzie’s Comedy Corner” in which a live-action Fozzie Bear tells variations on the “Why did the chicken cross the road?” joke as an animated stick-figure chicken does strange things on-screen, “Gonzo’s Freaky Facts and Oddball Achievements,” pretty much the same basic idea as “Comedy Corner” only with Gonzo acting as host instead of Fozzie and the emphasis being on weirdness rather than jokes.  The final segment of each show was “Kermit the Frog: Private Eye”, allegedly film noir parodies starring Kermit as a Sam Spade-esque detective and Fozzie as his assistant, but they would usually drift away from this go off on some irrelevant tangent; the stories typically rambled and faltered and rarely came to any logical conclusion. As with the show as a whole, one really couldn’t say anything about the segments beyond, “OK, so that happened.”
 
 
As per tradition, here’s the show’s opening:
 
 
 
 
 


Of the thirteen episodes that were produced, only three of them ever aired (and some of the remaining 10 epsiodes were incomplete at the time of cancellation). Ironically, it was Jim Henson himself who decided to pull the plug; Henson Associates and CBS agreed that the concept had never been properly thought out and just wasn’t up to Henson’s high standards. A quote from the man himself:

“I’ve always felt that the juxtapositioning of live-action and animated Muppets invited an unfavorable comparison, to which the cartoon version inevitably suffered; the puppetry was just too good. The combination of Muppet babies, adults and kid monsters was very disorienting. Also, due to a lack of development time, the concept — and therefore, the writing and designs — never quite jelled.”

The now-vacant second half-hour was filled with repeats from Muppet Babies‘ 1st season. The ratings stayed strong, and everyone was happy. The only traces of LMM’s existence was the 6-note bridge from the LMM theme song, which remained part of Muppet Babies‘ closing title sequence throughout the remainder of the show’s run as well as syndication. Also, in another of TV’s great ironies, in 1990, segments of the animated “Pigs in Space” and “Kermit the Frog, Private Eye” from the second episode of Little Muppet Monsters titled “Space Cowboys” were re-shown in the final episode of Muppet Babies titled “Eight Flags Over the Nursery”.

Today, Little Muppet Monsters is no more. The series has yet to turn up on DVD, and given that most people have either forgotten about LMM or simply had no idea that it ever existed at all, it’s unlikely that it ever will. Some of the puppet models for the Monster characters have since been re-used for other purposes:

  • Boo Monster appears in The Jim Henson Hour episode “Science Fiction.” He is seen as an audience member of the “Miss Galaxy” pageant.
  • Boo Monster appears in The Cosby Show episode “Cliff’s Nightmare.”
  • Tug Monster made a background cameo in the opening of The Muppets at Walt Disney World.
  • The puppet for Tug Monster was later seen in Nick Jr.’s Muppet Time as Do Re Mi Monster and was later seen as different customers in Mopatop’s Shop.

Finally, in yet another great irony, all 3 central characters: Tug Monster, Molly Monster, and Boo Monster were seen briefly in the special The Muppets: A Celebration of 30 Years, which was broadcast on January 21, 1986. The special was shot before the suggestion was made to take Little Muppet Monsters off the air, so the show cheerfully celebrated the Muppets’ latest production and the newest additions to the Muppet family—even though that production had been canceled four months earlier.