There’s a thread on the Toon Zone Forums (specifically, in the Disney Animation Forum) titled “How Would You Improve Disney?”, and since I can’t respond to the thread on TZ, I’ll instead say what I would do here. In order to improve the Disney Studios’ productions, I would:
Category Big Ideas
What’s All the Hub-bub, Bub?
Today is October 10th.
If that date doesn’t hold any significance to you, then you’re either not into toys or you don’t receive bonus cable or satellite, because The Hub turns 2 years old today.

For the uninformed, The Hub is an American digital cable and satellite television channel that launched on October 10, 2010. The channel, which replaced Discovery Kids, is a joint venture of Discovery Communications, Inc. and Hasbro.
The Hub targets a dual audience, young children in the daytime with original and acquired children’s programs, and families at night with reruns of older television sitcoms, dramas and feature films. Veteran television executive Margaret Loesch serves as president and chief executive officer of The Hub. The channel is available to approximately 60 million subscribers.
Since The Hub turns 2 today, I figured I’d give a basic overview of the channel, its’ highlights (and not-so-highlights) and what I’d like to see happen on Hasbro’s brain child in the future.
Among The Hub’s highlights are Dan Vs., Pound Puppies, Strawberry Shortcake’s Berry Bitty Adventures, Care Bears: Welcome to Care-A-Lot, The Aquabats! Super Show!, Family Game Night, Transformers Prime and Transformers Rescue Bots, Kaijudo: Rise of the Duel Masters, the HuBoom! block which features the likes of G.I. Joe Renegades, the Batman and Superman animated series produced by Bruce Timm, Batman Beyond and The Super Hero Squad Show.
But of course THE show that The Hub is known for is My Little Pony: Friendship is Magic. It is an animated television series based on Hasbro’s My Little Pony toy property that has proven not only its highest rated production for the intended young girl demographic, but has also attracted an unexpectedly significant cult following in the teen and adult male and female categories. If you’re unaware of the whole ‘brony’ phenomenon, then it’s clear that the rock you’ve been living under doesn’t offer cable. Of the MLP explosion, one member of Toon Zone had this to say:
I don’t know why
What is going on Why is Transformers Prime coming second To ponies?
More to the point why are grown boys watching it?
What is this world coming to?
To which I have only this to say:

- “Grown boys” makes no sense. A grown boy is a man. If they’re still boys, they’re not done growing yet.
- OK, let me get this straight: you’re all flabbergasted that people are watching a show about colorful talking ponies, yet you yourself are a fan of a show about colorful talking robots. Double standard much? Seriously, go back to your glass house before casting stones in a nerd site.
After that verbal runoff, you should be embarrassed…at yourself. You act like if you’re a certain gender, you’re not allowed to like certain things, and once you reach a certain age, you’re not allowed to enjoy certain things anymore. News flash, Skippy: people can like whatever they want! And they don’t have to explain themselves or defend it either. THAT’S what being an adult is, not worrying about if things are “too kiddie” or “too girly”. That’s something a teenager would worry about it. The above remark is something I’d expect an 8-year-old boy to say, not an intelligent member of a discussion forum, and the thing is, I’ve heard from more intelligent and enlightened 8-year-old boys on this subject.
I myself enjoy the Ponies (though I’ve been on a self-imposed vacation from them until season 3 begins, which is said to be “sometime in October”), but my personal favorite show on The Hub is The Aquabats! Super Show! It combines the pure camp of the old 60’s Batman show and Sid & Marty Krofft’s Saturday morning series with wacky slapstick and nerd rock music from one of the geekiest and coolest superhero rock bands out there. (And the lead singer of the band is also the co-creator of Yo Gabba Gabba!–can’t be bad.) If you haven’t seen this show, I urge you to check it out. Cartoon Network really dropped the ball by passing on this show; if they really must have live-action, they could get good live-action like Aquabats!.
Lately, The Hub’s also been scoring style points for their HuBoom! action block, and deservedly so. Where else can one check out Transformers Prime, Superman: The Animated series, The Super Hero Squad Show and Batman Beyond all in one block? While I’m happy that HuBoom! is doing well, I hope this doesn’t lead to Action Overload. I’d hate to see The Hub become inflicted with Jetix Disease. Why not launch a comedy cartoon block to counter the action block? I’d watch that.
Now, I’d like to address what (in my opinion) is the weakest link in the Hub’s chain: their nighttime schedule. Presently the channel devotes its’ nightly schedule to prime time TV reruns of shows such as The Wonder Years, Family Ties, The Facts of Life, Happy Days, Laverne & Shirley, Doogie Houser, MD, ALF, Sabrina, the Teenage Witch, Sliders, Hercules: The Legendary Journeys and Lois & Clark: the New Adventures of Superman. Not terrible, I suppose; there’s nothing wrong with “preserving our TV heritage”, but nostalgia loses its’ sting after a while, and let’s face it: some of these shows were garbage when they were new. I don’t watch The Hub at night since I’m not a nostalgia person (especially when it comes to broadcast TV reruns); while I don’t mind revisiting the occasional show from my past once in a while, I much prefer watching new shows. It’s my hope that as The Hub continues to grow and thrive, they can afford more original series and newer and more diverse acquisitions for its’ PM lineup. The 60’s Batman show is a good start, I’d create a quirky alternative comedy block (sort of a less raunchy Adult Swim or a throwback to the old HA! TV network, the precursor to Comedy Central) featuring shows akin to that: shows like On the Television, Mad Movies with the LA Connection, The New Adventures of Beans Baxter, Parker Lewis Can’t Lose, Mystery Science Theater 3000/Rifftrax, Stupidface, Clerks: TAS, Daria, Undergrads, SCTV, etc. (Not all of those specific shows per se, obviously, but shows along those lines.) It would finally give Dan VS a proper place to air on the schedule, since it’s really not a good fit alongside the superhero cartoons, and it fits in with the likes of Strawberry Shortcake and Care Bears even less.
Finally, someone on TZ suggested that The Hub throw some sort of on-air celebration to commemorate their 2nd birthday, to which I say: Nah, too soon. 2 years is too early for balloons and confetti; lots of channels make it to 2 years. If The Hub is still kicking in 10 years, then it’ll be time to bust out the party hats.
Boomerang Online: A Website Idea
A discussion about Cartoon Network and Boomerang on The Big Cartoon Forum got me thinking about this: if Turner doesn’t want to air all of it’s CN produced shows and content on the Boomerang channel, would Turner be interested in airing them online?
Here’s the idea: Turner could launch a website which for now I’m calling Boomerang Online. The site itself would be similar to YouTube, except that Boom Online would only show Turner owned and produced content and shows such as entire episodes of Dexter’s Lab, The Powerpuff Girls, Johnny Bravo, Courage the Cowardly Dog, Ed, Edd ‘n’ Eddy, as well as the shows that have yet to be run on Boom such as Whatever Happened to Robot Jones?, Megas XLR, Foster’s Home for Imaginary Friends, Time Squad, Space Ghost: Coast to Coast, Cartoon Planet (the 1st series) and the like. 3rd party acquisitions seem unlikely to be aired on the site, since Turner would likely need to pay for those. Like with Hulu, there could be 2 versions of Boom Online; customers would could access the site at any time and would have the option to view episodes on the site for free, but there would be ads run before and after each video. Fans would also have the option to pay a monthly fee of say, $1 or $2 per month in order to view the videos without commercials, so the site would make money either way.
Again, this may not be the greatest idea, but it’s something that Turner could or should at least consider, since Boomerang the channel leaves something to be desired.
An Idea for a CN Block: HBTV
Recently, the news of a new Tom & Jerry series from Warner Bros. (who absorbed Hanna-Barbera in 1999) sparked a conversation about WB’s treatment of HB’s properties. Many people feel that while it’s good that WB continues to make new shows and movies starring Scooby-Doo and Tom & Jerry, they feel that WB should stop acting like Scooby and T&J are the only HB properties there are; that there are numerous other properties in the HB library that Warner could be relaunching.
Now, let me first state that I’m not the biggest Hanna-Barbera fan there is. Never have been. While I don’t hate HB, I feel that many of their shows, properties and characters are 1-note and interchangeable, even their greatest works like the aforementioned Scooby-Doo and Tom & Jerry, The Flintstones, Huckleberry Hound and Yogi Bear I’ve found to be ‘meh’ at best, and I’ve never felt that HB deserved to be placed among the great cartoon studios like Warner Bros., Disney, MGM or even Jay Ward. That said, I do know that a lot of people love HB’s shows and stars and as such, it wouldn’t kill WB to show some of their other franchises besides Tom & Jerry and Scooby some love once in a while.
So last night Jason and I were kicking the ol’ idea nut around regarding this subject, and we came up with an idea for a programming block that could conceivably run on Cartoon Network, which would be the most logical place to run anything Hanna-Barbera, seeing as how CN is co-owned by Turner and Warner Bros.
The block would be called HBTV. Said block could either be 60 minutes or 2 hours long, consisting of 2 or 4 half-hour shows (again, depending on the length that CN chose to make the block); either 2 or 4 premiere cartoons (some examples: the 2nd season of Scooby-Doo: Mystery, Inc., the proposed relaunch of Wacky Races entitled Wacky Races Forever, the hypothetical Swat Kats reboot proposed by Christian and Yvon Tremblay, a new Blue Falcon and Dynomutt show, new action cartoons starring the likes of Space Ghost, Birdman, The Herculoids, The Galaxy Trio, etc.) intermixed with shorts and filler segments. Among the filler segments could be 1 minute shorts starring HB’s lesser and frankly, more interchangeable animal toon stars like Wally Gator, Squiddly Diddly, Magilla Gorilla, Atom Ant, et al as well as music videos featuring these characters akin the old ‘Shorties’ and ‘Groovies’ CN used to air, re-airings of the recently aired Banana Splits shorts which aired on Boomerang for a time, some of the old Super Secret Secret Squirrel shorts from 2 Stupid Dogs, the old 3 Robonic Stooges shorts from The Skatebirds, and others. It would be like a 2-hour love letter to HB fans, combining old established characters with new material.
The main thing preventing such a block from happening is that the Hanna-Barbera studio is no more; neither Bill (Hanna) nor Joe (Barbera) are with us anymore, and Warner Bros. holds the rights to all of HB’s properties. WB would be the ones required to make such an idea a reality, but in order to something like this to happen, WB would have to have an interest in such a project, and most suits won’t jump on an idea unless they think a profit can be made from it.
More’s the pity; this could be the perfect thing to run on CN once a week; I’m not even a big HB fan, but I’d much rather see CN run something like this instead of horrendous-looking crap like Team Toon.
Something Funny Isn’t Going On Here
Recently, everybody’s favorite guy of the moment, Stuart Snyder, Prez of Cartoon Network, took part in an interview about the current state of CN and the machinations that he’s made with it over the past 4 years. This, in a nutshell, is what he said:
In the buzzword-heavy article, Snyder points to better demographic numbers for his network and credits a strategy of targeting specific nights toward specific audiences while also providing a balanced array of programming. “We look at our strategy as always being a comedy focus, boys-skewing but girls-inviting,” he tells the magazine. The article notes that anime has a much diminished presence on Cartoon Network, and glances at the anger generated by “fanboys” at the presence of live-action programming on the schedule, but offers no direct explanation or justification for the changes beyond an implicit nod at the “diversification” strategy.
- “Come On Feet” by Quasimoto
- “Fish Heads” by Barnes & Barnes
- “Elephants and Little Girls” by Loch Lomond
- “Atomic Dog” by George Clinton
- “Vanz Kant Danz” by John Fogerty
- “Life in the Slaw Lane” by Kip Odotta
- “Polka Changed My Life Today” by Rotondi
- “Killer Joe” by Manhattan Transfer
- Anything by Weird Al Yankovic, They Might Be Giants or The Aquabats


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