New Rules for Looney Tunes

Yep, it’s another post devoted to Looney Tunes. Wow, we’ve certainly been talking about Looney Tunes a lot lately, haven’t we? Well, we are long time fans of LT, and it’s in the news as of late, so let’s just roll with it.

This is in response to a thread that someone created for both the Toon Zone forum as well as the Big Cartoon Forum regarding the recent news about The Looney Tunes Show wrapping up production upon reaching 52 episodes. The original post is typed in italic:

With announcement of The Looney Tunes Show being cancelled along with Scooby Doo: Mystery Incorporated, and unlike Scooby Doo and even Tom and Jerry…a new Looney Tunes TV show has not been announced!

So when Warner Bros. finally does announce a new animated series based on their iconic characters(and you know they will at one point), they already did a sitcom-approach to it, what kind of direction do you think WB should go for a new LT cartoon series? What should they do and what shouldn’t they try to do?

 

First, I’d like to point out that neither The Looney Tunes Show nor Scooby Doo: Mystery Inc. were “canceled”, as saying so would imply that Warner Brothers had ever intended for either series to go beyond 52 episodes, which was not the case. Tony Cervone and Spike Brandt confirmed that their commitment to TLTS was only for 52 episodes, and 52 episodes was all that we got. If Cartoon Network ever wants more episodes of TLTS, WB could easily produce more, since season #2’s ratings were strong.

Having said that, I can’t really say what sort of new Looney Tunes series that I’d like to see next. I agree that Loonatics Unleashed was terrible and it was a lame attempt to revive the franchise. LU’s biggest problem was that it tried to be half-action, half-comedy when it should have been all comedy. The idea of the LT characters as superheroes itself isn’t a bad one; if Warner Brothers had made the series as a straight-up parody which made fun of the genre a la Ben Edlund’s The Tick, then that might have actually worked. Kind of like a series version of the Tiny Toons short “The Just-Us League of Super Toons”, but with Bugs, Daffy and company as the capes.
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As for new rules for any new potential Looney Tunes projects, here are a few of mine:
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1. Return to the shorts format. The Looney Tunes Show was OK and all, but let’s face it; the characters just aren’t designed to carry 22 minute stories. The shorts have never been plot heavy. Often, the “plot” would serve as little more than a setup for a series of gags. You’d have a setup, a bunch of gags and a punch line Stick to the shorts, as this is the environment that the characters perform best in. I say, have a half hour format consisting of two 11 minute shorts per show or three 7 minute shorts per show.
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2. Don’t be afraid to experiment with new ideas, settings and concepts. I enjoy the classic shorts as much as anyone else, but if the Looney Tunes characters are going to stay relevant, Warner Brothers can’t and shouldn’t just keep recycling their old material. It’s OK to occasionally reference the shorts from the past, but WB needs to forge ahead with the characters and make new comedic possibilities otherwise the franchise is doomed to fail. Therefore, don’t be afraid to experiment with some pairings that haven’t been tried before (EX: Porky and Foghorn Leghorn, Daffy and Wile E. Coyote, Granny and Taz, Marvin the Martian and Elmer Fudd, Lola and Yosemite Sam, etc.), and don’t be afraid to try out some new shticks and introduce new characters when called for, which brings me to my next point…
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3. Don’t try to cram every character into every story. The original shorts were never like that. The best ones only focused on a couple of characters, like Bugs, Elmer and Daffy or just Bugs and Daffy. There’s no need to pad the shorts to obesity.
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4. Do NOT bring in John Kricfalusi as a director! I have zero desire to see Bugs, Daffy and company “Ren & Stimpified”.
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5. Don’t rely on cheap, creatively bankrupt gimmicks or lame attention getting devices, such as turning the characters into babies or teenagers, dropping them in high school, or have them working security in a shopping mall.
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6. Keep Lola loony. I know that I’m in the minority here, but I actually like TLTS’s take on Lola. I honestly don’t get why some fans want to see Lola return to her Space Jam self. In Space Jam, Lola was a boring Mary Sue who served no other purpose than to make every male character stand in awe bugging out their eyes at the sight of her. On TLTS, Lola is funny and she’s loony. Again, I fail to see the problem here.
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7. Stick to comedy. No dramatic moments. To paraphrase something that Hamton Pig once said in the Tiny Toons episode “Toons Take Over”: You guys are funny. Comedy is what you do.”
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8. Show some other facets of Daffy Duck’s character besides his jealousy of Bugs, and above all, keep the character likable. Yes, Daffy has a dark side, but he doesn’t have to be mean all of the time. He’s not a one-dimensional meanie, and it was a mistake casting him as the perpetual antagonist in those terrible shorts made in the mid 60’s.

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9. Don’t be afraid to knock Bugs Bunny around a little. Yes, Bugs is cool, and it’s great to see him achieve victory or his nemeses, but Bugs shouldn’t win all of the time in every single situation. If Bugs never lost, he would become boring and would quickly become a writing problem. Bugs being allowed to lose sometimes keeps him human (as human as an anthropomorphic rabbit can get, anyway) and keeps the character relatable to the audience.

Generally, though, I just hope that the next LT series is funny and enjoyable. However, I do have a suggestion for the Capcom video game company. In the wake of all of Capcom’s crossover titles, I just have 5 words to say:

Looney Tunes VS Street Fighter

Make it happen, Capcom!

Ryu2

The Looney Tunes Show: Adieu at 52

It looks like Bugs, Daffy, Porky and company will get to chillax on the beach for a little while longer. According to Supervising Producer Tony Cervone, The Looney Tunes Show has ceased production. There isn’t going to be a third season of the show. The remaining episodes will begin airing on April 23rd, but after these have been burned through, TLTS will not be making any more episodes. It’s done.
“So, you’re saying I won’t be joining the cast in season 3?! But I had a contract!!”
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‘Fraid not. According to Jessica Borutski, Petunia will appear on the show in one of the upcoming remaining season 2 eps, but those who were waiting to see Porky finally get a full-time girlfriend and Petunia join the cast as a full-time regular will have to settle for fan fiction.

Let’s get our terminology straight: This isn’t a cancellation, because Warner Bros. never had any plans for TLTS to go beyond 52 episodes. According to Cervone, the idea was for the show to keep the Looney Tunes characters in peoples’ minds, but it was only supposed to run for 52 episodes and that would be it. 52 seems to be the magic number for Cartoon Network/WB original series: 52 episodes is roughly Cartoon Network’s equivalent to 4 TV seasons (13 x 4 = 52) and 52 eps is considered by CN to be a sufficient amount for a series to run daily (although it’s worth mentioning that TLTS as well as Scooby-Doo: Mystery Inc., also produced by WB, have started airing daily before reaching 52 episodes), and the late Kids’ WB! toon Tom & Jerry Tales currently airs daily on CN, even though it only made 26 episodes). Basically, all of the current WB-produced CN shows are wrapping up, save for MAD (and that’s likely to get the kibosh by the end of this year), with new WB toons such as Beware the Batman, Teen Titans GO! and the upcoming Tom & Jerry Show slated to run after they’re gone. (It’s also pretty much a given that there will be a new Scooby-Doo series on the horizon, since Scooby is so popular and enduring that he’s harder to kill than crabgrass.)

My feelings on this? I’m more reflective than anything else. Yeah, it kind of sucks that there won’t be anymore LTS episodes, but in retrospect, I have to admit something: I’m one of the biggest Looney Tunes fans there is, but I didn’t love The Looney Tunes Show.

daffy-duck

“WHAT?!!?? Blas-pheemer! Eggth Benedict Arnold! Thtone the heretic, I thay! Rack ‘im over hot coalth!!!”
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Now, don’t get me wrong: I liked the show. I just didn’t love it. I want to love a Looney Tunes show again.
Supervising producers Cervone and Spike Brandt have stated that the reason they didn’t try to flat-out copy or even directly emulate the shorts formula or style is because they didn’t think they could live up to it, and while I both understand and respect that, at the same time I have to confess that while TLTS did indeed have some funny moments and was an ambitious undertaking, overall the more laid-back style of TLTS just didn’t work, and it didn’t resonate well with LT purists, though kids seemed to enjoy it. Forgive how jerky this is going to sound (it already sounded jerky in my head) but if nothing else, TLTS can be used as a textbook example of what works and what doesn’t work:
  • Putting the characters together in a single setting = works
  • Having them emulate the Seinfeldian sitcom style = doesn’t work so well
  • Having skits (including CGI skits) and musical bits between the stories = works
  • Sparse background music and little to no adherence to squash-and-stretch physics = not so much
  • Making Bugs and Daffy friends instead of rivals/enemies = works
  • Making Bugs a stiff straight man and Daffy an oblivious idiot/jerkbag = doesn’t work so well
And then there’s Lola. Wow. I can’t think of a more polarizing cartoon character in recent memory than this show’s version of Lola Bunny, except maybe Scrappy-Doo. Brandt and Cervone claim to have never seen Space Jam and therefore had no exposure to the shoehorned in, Mary Sue version of Lola and wanted to do their own take on her, and to their credit, TLTS’ Lola was indeed loony, but oh, the hate she received from viewers. I’ve heard her called everything from a stereotypical ditz to an offensive female throwback and a stalker. Now, I didn’t hate TLTS Lola, but maybe it wouldn’t hurt if in any future projects the writers made her a little less spacey, perhaps they could meet somewhere in the middle with Lola: not quite the paragon of Girl Power perfection, but not quite the crazy birdbrain either, sort of a happy medium between the 2.
Right now, there aren’t any new Looney Tunes TV projects in the works, but if the upcoming LT ‘reboot’ movie (assuming that’s still happening; I haven’t heard any recent updates on that) does well, a new LT show is sure to follow. Hopefully, whoever’s in charge of said series will take what happened with TLTS into account and this will help them create a show which pleases the vast majority and hardcore LT fans like myself will actually love, not just like.
Also, please continue to use Tina Russo. Tina’s awesome.

What the Hub?!

THIS JUST IN: Disney Channel and Disney X-D Networks executive Nikki Reed has been named Senior Vice President, Programming & Development for The Hub Network, the fastest growing children’s cable network, it was announced today by Margaret Loesch, President & CEO of The Hub, to whom she will report. The Hub Network is a joint venture of Discovery Communications and Hasbro, Inc. 

Ms. Reed succeeds Donna Ebbs who served as The Hub’s first programming chief and helped launch the network in October 2010. Ms. Ebbs has transitioned to a new role as a consultant and an executive producer for The Hub and is responsible for pursuing and developing several new properties and securing unique production opportunities for the network.

“Nikki Reed’s background as both a producer and an executive at top-level entertainment companies like Disney, NBC Universal, and Touchstone Television makes her the perfect person to lead our development and programming during this unprecedented time of growth for The Hub,” said Ms. Loesch. “Donna Ebbs built an incredible creative team that helped shape The Hub in its first two years on the air. Moving forward, Nikki’s experience and creativity is the right blend to lead this team as we grow The Hub into the primary destination for programming that children and their parents watch together.”


“The Hub is in a period of tremendous growth as it becomes a leader in the kids and family space,” said Ms. Reed. “Our goal is to utilize my relationships with writers, producers and talent to grow The Hub’s existing slate of programming and enhance it with more live-action series. I am excited to work with Margaret and The Hub team to carry out the creative vision to make smart, entertaining shows that appeal to both children and their parents.”

Ms. Reed is responsible for planning, directing and executing the network’s programming strategy, as well as working with Ms. Loesch and the network’s senior management team on creative development and overall strategic planning and direction.


Ms. Reed has more than 15 years of experience developing feature films and television series, including live-action series geared towards kids, tweens and families on Disney Channel and Disney X-D, as well as numerous platforms around the world. Among the series she developed at Disney are “Jessie,” “Austin and Ally,” “Dog with a Blog,” “Lab Rats,” and “Crash and Bernstein.”

Prior to joining Disney, Ms. Reed was the Vice President of Current and Development at Universal Cable Productions. She also spent five years as a development executive for executive producer Barry Kemp’s Bungalow 78 Productions while it was based at Touchstone Television. Previously, she served as Vice President of Development for director Jon Turteltaub’s Junction Entertainment for Disney Studios. There she spearheaded the development of the feature films “National Treasure” starring Nicholas Cage and “The Kid” starring Bruce Willis. In 2005, Ms. Reed served as an executive producer on the feature film “Invincible” starring Mark Wahlberg.

Naturally, upon hearing this news, people on the interwebz are having a hissy-fit because they’re afraid that a former Disney Channel exec taking the reins of The Hub’s programming will mean that the channel’s entire lineup, animated hits and all, will be nerfed in favor of live-action teencoms like Dog with a Blog and Good Luck Charlie. Personally, I’m taking a cautious “wait and see” approach to this. Why? Here’s my take:

While it is a potentially off-putting truism that Ms. Reed’s history is predominantly in live-action and she’s coming to The Hub, a channel largely dominated by animation currently, I honestly don’t think that the toy-based animated shows are in any danger. As I pointed out in “A Failure to Communicate…and See the Truth”, The Hub is first and foremost a toy company. The whole reason Hasbro launched this whole venture with Discovery Communications in the first place was so they could have a launchpad for shows and movies based on their cadre of toy and game franchises, so the likes of My Little Pony, Pound Puppies, Littlest Pet Shop, Transformers Prime, Transformers Rescue Bots and the like aren’t going anywhere. Those shows are the main reason why The Hub exists; they earn great ratings, and more importantly in Hasbro’s eyes, they drive toy sales. My guess is that the reasoning behind this move is that The Hub is trying to bring in more viewers and is trying to find some more solid rating grabbers to increase their audience, but they’re not likely to alienate their current audience since they are still dedicated to toys. This could, mind you, could mean that the channel may be relying less on acquired 3rd party reruns like Animaniacs and The Super Hero Squad Show, which wouldn’t really be such a bad thing, at least not to me; I already own the A! DVDs and SHS has looped all of its’ episodes a few times already. As for the prospect of  “focusing on live-action series”, well that depends on the type of shows Ms. Reed has in mind and where and how much of them she plans to implement; while it’s true that I consider shows such as Good Luck Charlie, Dog with a Blog and Shake it Up to be twaddle and an entire schedule of those kinds of sitcoms would indeed be terrible for a good network, a smattering of a few of them here and there around the schedule wouldn’t be that bad, provided The Hub’s original vision isn’t lost and these live-action shows (whatever they end up being) don’t take over the channel. It would be a heck of a lot better than just looping the same 5 movies over and over again every month. While I personally can’t stomach most of Disney Channel’s live-action ventures, the sad truth is that they do put butts into seats, and if the addition of such shows were to bring more permanent viewers to The Hub, that would mean higher ratings and more money, money which could conceivably be used to produce more original series for the channel, both animated as well as live-action, hopefully.

Also keep in mind that it’s not a given that Ms. Reed will simply try to copy the sort of shows that got made under her watch at Disney here, as that may not prove to be the best strategy. Hasbro undoubtedly wants The Hub wants to carve out its’ own niche, not be thought of as Disney Channel 2.

What I really hope this means is that The Hub will finally be spicing up their nighttime lineup. I’ve mentioned this a few times already here, but The Hub’s PM schedule sucks noodles. I never watch The Hub at night because absolutely nothing that The Hub runs at night interests me in the slightest. Shortly before this announcement, The Hub released the news that they would be acquiring reruns of Who’s the Boss? in April. My reaction: “Another old fluffy family sitcom from 20+ years ago. Yay.” The Hub could be doing so much more than just trying to ape early 90’s Nick @ Nite. On this someone remarked: The Hub is trying to follow in the footsteps of Nick at Nite and have their prime time line-up consist of type of programming that their adult viewers remembered watching when they were kids/teens (be it live action shows on syndication or hit cartoons of the 1980’s and 1990’s).” Yeah, here’s the thing about that: animated shows aside, I never watched this crap when I was a teen. I thought shows like The Facts of Life, Family Ties and Who’s the Boss? were trite when they were new. You know what I watched as a teenager? The Young Ones, Red Dwarf, SCTV, Monty Python’s Flying Circus, The Black Adder, French & Saunders. The only network sitcoms I watched during that time were Newhart and Night Court. I see so much wasted potential on the PM Hub; Hasbro could be offering so much of a variety: not just my idea of alternative comedy (though I still think that’s a great idea), but also new game shows, new action/adventure shows, sketch/variety, etc. I’m not saying that The Hub should abandon the old sitcoms if they’re pulling in ratings, but why should that be the only thing they run at night? Like I mentioned in “Point and Laugh at Retro-Snobbery”, classic TV is nice and all, but it doesn’t equal huge ratings, and The Hub knows this, hence whey they’re mking this move in the first place. If Ms. Reed can inject some much needed life in The Hub’s nighttime schedule, then I welcome our new overlord.

Basically, I have to see what’s to come before I start playing Taps for this channel just yet. I really need to see what sort of shows get ordered and the pilots which get greenlit before I can say conclusively whether this is a regrettable move or not. As long as the likes of The Aquabats Super Show! and Littlest Pet Shop remain intact, I’m fine with it.

Considering Cartoon Planet – Part 2 (Addendum)

This is a brief post in regards to Damon’s “Considering Cartoon Planet” article. In particular, I’d like to respond to one poster on Toon Zone’s suggestions for the CP block. Same deal as before. The original poster’s words will be typed in italic.

I gotta say Cartoon Planet returning this year is a dream come true for me! (Well, not entirely, since it is not exactly Cartoon CARTOON Fridays from 1999-2007, but this is good enough) At least it really reminds of the format of The Cartoon Cartoon Show. Now if they could just add: What-A-Cartoon!, Mike, Lu, and Og, Sheep, (if they can ever find a way to fit that in there.) Time Squad, Robot Jones, Foster’s’s 22-min. episodes, Hi Hi Puffy AmiYumi, (If I remember correctly, that series had gone back to the original Cartoon Cartoons’ 3 segment format.) Juniper Lee, (Again, just like Sheep) Squirrel Boy, Class of 3000 (and to a lesser extent, Out of Jimmy’s Head (it wasn’t that bad) (AGAIN, like Sheep and Juniper Lee). Forgive me for being so choosy, but I just love these shows (and the ones currently airing on the block) so much and would just love to see them air again. (Maybe with the Cartoon Cartoon theme!)

Allow me to address each of these point individually. In regards to What-A-Cartoon, while it’s true that Cartoon Network Studios still owns several of the WAC shorts, the network isn’t likely to air them on Cartoon Planet, nor is there any reason for them to, since it’s at this point it’s very unlikely that any of them are going to be made into series.

Hi-Hi Puffy Ami Yumi* and Class of 3000 – No. Both shows feature caricatures of living performers (on PAY, while the real life Ami & Yumi didn’t provide the voices of their cartoon counterparts, they did make appearances at the beginning and end of every episode, while on Co3K, Sunny Bridges was a caricature of Andre Benjamin, who provided the character’s voice) and so CN would have to pay those performers a royalty for their likenesses to be used. Also, each episode of Class was 22 minutes long, which would take up half the show. Same deal with Sheep in the Big City and The Life and Times of Juniper Lee.

*On the subject of which, there’s something that I’d like to address: Hi-Hi Puffy Ami Yumi is NEVER coming back to Cartoon Network. Ever. I’m tired of reading comments from would be conspiracy theorists about why the show got canceled and that the show was so smegging huge when it was running and how CN is dropping hints that PAY might come back to CN. Puffy‘s cancellation had nothing to do with politics or with CN’s attitude towards races and cultures; PAY was canceled because the show wasn’t very good and it didn’t get the desired ratings. Where was all this fan loyalty for PAY when it was on the air? If the shows’ ratings were really so freaking huge, then CN wouldn’t have canceled the show so suddenly. It’s done. Puffy Ami Yumi are just another J-Pop band who had their 15 minutes of fame here the States by performing the theme song for Teen Titans: TAS. But neither TT or PAY are relevant anymore. CN initially hoped (or intended) for PAY to be the network’s next “Girl Power” series after The Powerpuff Girls, but that didn’t happen, and CN’s hasn’t cared about PAY ever since. The fact that Ami & Yumi were among the characters pictured in CN’s 20th Anniversary photo is proof of nothing. CN doesn’t care about that show anymore and it’s never going to air on CN ever again.

There, I said it. I feel better. Moving on…

Out of Jimmy’s Head (it wasn’t that bad)

    Yes, it was, but that’s just my opinion, which doesn’t carry the weight of sunlight. Allow me to now give several reasons why Out of Jimmy’s Head will NEVER air on Cartoon Planet:

    1. Each episode of Out of Jimmy’s Head was 22 minutes long, and a half hour episode would take up half the show.
    2. OOJH wasn’t a cartoon; it was a live action kidcom lightly sprinkled with some animation. A live action series would have no business airing as part of a block titled CARTOON Planet. There’s no reason for CN to devote half of Cartoon Planet to 22 minutes almost completely devoid of animation.
    3.  OOJH wasn’t a Cartoon-Cartoon. See above.
    4. OOJH sucked duck butter. The series was a critical and commercial failure. The show bombed so hard that CN is still picking up the shrapnel 7 years later. The show was such a failure that CN hasn’t attempted a scripted comedy since (unless one counts Incredible Crew, which is a sketch comedy). The OOJH episodes were removed from iTunes after 3 weeks because nobody was buying them. You can’t even see any episodes of OOJH for free on YouTube, fer cryin’ out loud! What reason would CN possible have to want to re-air that stinker of a show? Except maybe as a prank for April Fool’s Day?

    Let’s face it, folks, Out of Jimmy’s Head will never air on CN proper ever again. Maybe, maybe the reruns of OOJH will come to Boomerang someday, but seeing as how shows like The Grim Adventures of Billy & Mandy, Sheep in the Big City, Time Squad, Camp Lazlo, My Gym Partner’s a Monkey and Squirrel Boy still have yet to air on Boomerang, I wouldn’t hold my breath waiting for that to happen either.

    Considering Cartoon Planet

    While lurking on Toon Zone, I came across some interesting comments and opinions regarding Cartoon Network’s Cartoon Planet block. I’d like to address some of them with my own spin on things. As per usual, the original comments will be printed in italics, while mine will be in regular type.

    “I would like to see some Squirrel Boy on the block. Again, CP should be 2 hrs. I want to see full Foster’s and if they add it, Sheep episodes.”
     
    “Not just Sheep, but I’d also like to see Mike, Lu & Og to the block. It’s been awhile since Boomerang has aired it, it’d been doing so on/off.”
     
    “They could extend it an hour, making it 2hrs long, then we might have room for thirty minute episodes of stuff, like Foster’s and the like.”
     
     
    A lot of people have made the above suggestion, but there’s a very obvious roadblock to that plan that no one ever seems to consider: namely, that Adult Swim starts at 9PM. If CN were to expand Cartoon Planet to 2 hours, then it would have to begin at 7PM, since CN becomes AS at 9. Unless Turner would be willing to push AS back an hour for an extra hour of CN on Friday nights, which I know they wouldn’t be; heaven forbid that Turner ever dial back on Seth MacFarlane time. Another reason I don’t see a CP expansion happening is simply that the block isn’t that popular or successful; it’s doing well enough, but not extremely well. Face it, retro fans, Cartoon Planet isn’t setting the world on fire. CP is a block driven by nostalgia, which has niche appeal and a limited shelf life. A continuous loop of reruns gets old after a while. It doesn’t help matters that the cartoons which air on CP seem to stay locked in a Mobius strip: the Dexter’s LabPowerpuff Girls, Chowder, Marvelous Misadventures of Flapjack and Ed, Edd ‘n’ Eddy shorts have yet to go beyond season 1, and many fans contend that a lot of these shows, Ed3 in particular, didn’t really find their grooves and start to really take off until after their freshman seasons. (Except for Chowder, whose first season was clearly its’ best.)
    Also, an expanded CP would mean that CN would have to make new Brak & Zorak bumps, which they don’t seem to be in a hurry to do; they’ve only made about 2 new bumpers since the block came back.
    Let’s be real here: the only reason that Cartoon Planet is still on Friday nights is because everything else CN has put on Fridays has failed; if the action cartoons had managed to put enough butts into seats and could’ve held their own against Disney Channel’s Friday night premieres, then action would still be running on Fridays. CN’s original comedy premieres could possibly hold their own on Fridays, but then CN wouldn’t have anything to air on Monday and Tuesday nights. CP is basically filler that fulfills a need and does OK, just well enough to keep a relative number of viewers tuning in, but not well enough for the block to be expanded.
    As for the prospect of CP acquiring shows like Sheep in the City, Whatever Happened to Robot Jones?, Time Squad, Squirrel Boy and the like, it’s a good idea, but I don’t see it happening. For whatever reason, these shows have all been swept under the rug by CN’s big brass and nowadays The Powers That Be at Cartoon Network don’t even like to talk about these shows anymore. It’s a shame too; I’m not saying that all of these shows are great, but adding them to the regular rotation would definitely add some much needed variety to the block. CP got a little better when they began airing Robotomy, The Problem Solverz and Secret Mountain Fort Awesome, but there aren’t any of those shorts scheduled for the month of March. I don’t know if this is due to low ratings or just bad fan reaction to them, but I’m sure the fact that the network aired the same Robotomy short twice in succession didn’t help garnish support for these shows.
    “The least CN could do is add new bumpers to the block. I also want to see the network to add repeats of the show on early Saturday or/and Sunday mornings.”
    To the first point, heck yeah. However, going through the trouble of making new bumps for CP would imply that CN actually cares about the block, which of course they don’t. To the second, repeating CP on weekends isn’t going to happen either, for the same aforementioned reason: the block just isn’t successful enough to warrant such a move. Also, Saturday mornings have been designated for action, and like it or not, Pokemon, Bakugan and Beyblade do better than repeats of Cow & Chicken and Courage, the Cowardly Dog. Face it, folks, Cartoon Planet isn’t a groundbreaking boon to CN; it’s a medium between airing something and just running white noise for an hour.
    “Yup. Pretty much everyone wanted to see some new shows or a block expansion for CP. Not new new shows, but shows like that.”
     
    I’ll hand this one over to my brother Jason, who has this to say:
    *shakes head* Well, yes and no. A 2 hour comedy block on Cartoon Network’s Friday night prime-time lineup in the tradition of Cartoon-Cartoon Fridays would be great, but if CN were to launch such a block, I would much rather have new shows premiering on the block than 2 hours of Cartoon Planet, even if that would mean seeing half hour episodes of Foster’s and Sheep in the Big City again. Sorry, but new shows trump reruns every time. At the very least, said block consist of premieres for the 1st hour, and then devote the 2nd hour to reruns. Reruns aren’t going to topple the comedy premieres on the Disney Channel and Nickelodeon. If action cartoon premieres couldn’t bring CN up from 3rd place on Friday nights, then there’s no way that 2 hours of CN nostalgia could.
     
    “Anyone notice they’ve been cropping the intros? Seems like whenever they do something right, they have to nerf it right when it begins.
     
    Seriously, are they just TRYING to bribe us and then negotiate the wrong way?
     
    They really need to stop cropping the intros. Doesn’t matter if they’re doing it so they can get more cash or just trying to piss us off, but that needs to stop. Spongebob never had his intro cropped, and neither has the Fairly Odd Parents. Cheapskates.”
     
    Somebody call the waaahmbulnce. The network doesn’t crop the intros to bribe us (I don’t even know how such a thing to be possible) or to piss us off; they do it because they also have to air the Zorak and Brak wraparounds as well as make room for commercial breaks. There just isn’t enough time to do all that and run the full intros for each individual cartoon. Remember the Cartoon-Cartoon Top 5? There the intros were skipped entirely and they just went straight to the title cards. Would you rather they cut 2 or 3 minutes from the cartoons themselves? Seriously, cropping the intros isn’t that big a deal. Get over it.
    “I hope we’ll also get to see the likes of What A Cartoon!, Whatever Happened To Robot Jones?, 2 Stupid Dogs, The Herculoids, Space Ghost, SWAT Kats or Birdman at some point. All have a few 6/7/11/12 min. segments that could air.”
     
    Robot Jones we’ve already covered above; it could air on the block, but since CN has been disallowing that show’s existence for years now, don’t expect it to turn up on CP, or anywhere else for that matter, anytime soon.
    CN doesn’t seem to have any interest in airing any of the What-A-Cartoon! shorts which haven’t been made into series, since the main purpose of WAC! was to audition pilots for potential new shows. If CN were going to do that, there are also plenty of unaired shorts from Cartoonstitute which they could run on CP.
    While it was indeed a comedy, 2 Stupid Dogs wasn’t a Cartoon-Cartoon, and therefore it would be out-of-place on a block which is basically a ‘Best of CN’ showcase. Keep in mind that 2SD wasn’t made specifically for CN, but rather was launched on TBS and in syndication, so it wouldn’t be a good fit on this incarnation of CP, plain and simple. Again, CN could also start airing Looney Tunes and Tom & Jerry shorts on CP as well if the plan was to deviate from the all Cartoon Network original comedies format.
    *Ironically, if Cartoon Planet ever did start incorporating 2 Stupid Dogs, Looney Tunes and Tom & Jerry shorts, it would be more like the original Cartoon Planet, only with no Space Ghost or Andy Merrill frolicking around in a Space Ghost costume.
    Swat Kats, no, just no. CP is a comedy block, action cartoons have no place on it. Also, most of the Swat Kats episodes were 22 minutes; a half-hour cartoon would take up half the show.
    Space Ghost, Herculoids, Birdman and the like, again no. In addition to being action shows, and not Cartoon Network originals, those cartoons are waaay too old; they wouldn’t secure CN the audience it wants, or so they believe. Nowadays those shows are only appropriate for Boomerang; I could only see them airing on CP if the show were to deliberately make fun of them, by inserting fake catcalls, ‘oohs’, ‘aahs’ and ‘Oh yeah!”s like they used to do when they would sometimes air after Space Ghost: Coast to Coast on Sunday nights.