Peeks: Littlest Pet Shop 2018

LPS Title Card

Last June, Hasbro canceled its’ Hub/Discovery Family Littlest Pet Shop animated series after 4 seasons, due to low toy sales. At the time, Hasbro stated that they may be rebooting the franchise some time in the future.

Apparently, the future is now.

Littlest_Pet_Shop_(2018_TV_series)_logo

Yes.

In the intervening time since LPS 2012’s cancellation, Hasbro has since acquired Boulder Media, an Irish animation studio formerly owned by Cartoon Network. The new Littlest Pet Shop series is slated to arrive in the form of YouTube shorts which will start airing in fall 2017, with the full-blown series making its’ debut in 2018.

According to sources, the plot will revolve around “a world made by pets for pets where a portal opens up and the pets can go do things”.

Whaaaat

Hmm, that sounds kind of familiar…

Sliders

Just wish I could place it.

Character-wise, the series will focus on a sextet of main characters, referred to in the press as The Pet Six.

No Just No

Yeah, let’s stop that before it starts.

Littlest Pet Shop 2018

  • Roxie McTerrier (Brown Dog)
  • Jade Catkin (Black Cat)
  • Quincy Goatee (Yellow Goat)
  • Trip Hamston (Hamsta) (Red Hamster)
  • Bev Gilturtle (Blue Turtle with Purple shell)
  • Edie von Keet (Yellow-Green Parakeet)

Names with no pets attached (listed as recurring characters)

  • Mister Yut
  • Savannah Cheetaby
  • Wlsteria Perslla

OK, early impressions. So much to unpack here. Congrats, Hasbro. One of the main things that dogged the 2012 Littlest Pet Shop series was how it was unable to escape the shadow of its’ big sister series, My Little Pony: Friendship is Magic, so what do you do with the new series? Make it even more like MLP: Friendship is Magic!

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Of course, it may turn out to be something different and unique, but on paper this “world made for pets by pets” thing basically sounds like Equestria with other species.

Also, I can’t be the only one who finds it weird that this is a Littlest Pet Shop series and there’s no actual shop? I mean, it’s in the title, fer cryin’ out loud. Plus, I’m assuming that since these pets go into this portal to have their adventures, their owners are perpetually off-camera. That’s unfortunate, I think; they seem to be doing the very thing I hoped they wouldn’t do: exclude the human element from the show. I think that should’ve been kept, since the presence of humans was one thing that helped distinguish LPS from its’ big sister MLP.

Blythe Baxter

Plus, I admit, I’m gonna miss Blythe.

Which brings me to my final observation: I get that this is a reboot and Hasbro wanted to start fresh with a clean slate, and it’s likely I just haven’t completely exorcised the ghosts of series past, but I’m sorry that the producers didn’t bring back any of the previous show’s characters. No Sunil, Zoe, Vinnie, Pepper, Russel, Minka, Sugar Sprinkles or Buttercream is going to take some getting used to, as they were all decent characters.

Penny_ling

They could have at least brought back Penny Ling. I loved Penny Ling.

Now since this new show is being produced by a different studio, it’s possible that they couldn’t use any of the 2012 characters, but my big concern is that this new show idea smacks too much of MLP: FiM. I think Hasbro was a little too quick to turn its’ collective back on the 2012 show. The Blythe Baxter LPS wasn’t perfect, it had problems, but I didn’t think it was beyond repair. That concept just needed to be tweaked a little, not completely overhauled.

Here’s what I/we would’ve done (Jason already covered some of this in his LPS Final Season Retrospective, so I’ll to keep it brief):

  1. I would’ve done away with the 22-minute episode format. This show didn’t need to do single 20-minute stories just because MLP did it that way, plus many of the LPS plots seemed padded out anyway. I would have gone with 2 or 3 shorts per show.
  2. Kept the show in “our world”, albeit an exaggerated cartoon version thereof. The ‘real world’ setting was another that helped distinguish LPS from MLP.
  3. Kept the shop, kept Blythe and some of the human characters, only I would’ve broken the communication barrier and have the show go full-on Looney Tunes or Bloom County and have the animals be able to directly communicate with the humans and vice-versa. Yeah, that would render the whole “Blythe is special because she can talk to animals” premise null and void, but to be honest I was never a huge fan of that shtick in the first place.
  4. Give Blythe (or a new main human character who distinctly resembled her) 2 parents from the get-go, both of whom would still be alive and happily married. I personally hate the Dead/Missing Mother trope with the fury of 1000 suns.
  5. GET RID OF THOSE #@$%^&*! BISKIT TWINS. I’m not gonna mince words here, they were hands-down one of the things I hated most about the 2012 show. While I’m usually a fan of twin characters and rich characters, I found those 2 unbearable and their characters made no flipping sense. They had no reason whatsoever to antagonize Blythe other than they were the designated bad guys of the show and so they had to bad guy stuff, and since they not only outnumbered Blythe but were also far better off materially than her, they always just came off like bullies picking on her, and I hated how the writers always had Blythe simper and try to make nice with and sometimes even try to kowtow and suck up to those little creepos only for them to routinely piss on her head. I would’ve done one of 2 things with the Biskits: either change them to latter-day Bulk & Skull-esque characters, good-natured goofs as opposed to flat-out baddies, or merge the Biskits and the Baxters into one family unit, say have a benevolent rich family who owns the shop and the daughter of this family is a Blythe type character, or a pair of twin Blythe types, either 2 sisters or 1 sister and 1 brother (why not? I’m sure some boys buy LPS toys too–you do, some of you guys. Admit it).

Or maybe I’m wrong. Maybe this new show will be good. I have my reservations, but maybe I’ll be proven wrong. This series could rock, though I’m not thoroughly convinced yet.

Fry_Looking_Squint

We’ll just have to see.

Unpopular Opinions: The Jetsons

Usually I like to start these segments with a clever little intro that segue ways into the main point, but this time I can’t think of any way to sugar-coat this particular thesis, so I’m just going to come right out and say it…

Jetsons

The Jetsons is boring.

There, I said it.

I know that it’s considered a classic cartoon. I know that it’s a staple of Hanna-Barbera. I know that many people regard it as iconic. But it’s still as dull as dishwater. The stories are dull. The characters are dull. The jokes are dull. And the depiction of the World of Tomorrow (TM) is really, really dull. The latter is particularly puzzling, since distant future settings are usually cool. We here at Twinsanity love the Utopian future setting (as referenced in “The Future Rocks!”) but on The Jetsons there’s absolutely nothing you’d find fun to watch.

Alien on Hoverboard

Where are the cool aliens?

Hoverboard

Where are the hoverboards?

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Where’s the cool future tech?

Where’s the mind-boggling science fiction stuff? The only remotely cool thing on The Jetsons is the flying cars. That’s it. You can’t even fall back on the appeal of the show’s main cast, since the titular characters are likewise as dull as a plain dry piece of toast. Sure, Elroy’s smart and Judy’s nice to look at, but the show didn’t even mine those elements for all they could.

Yeah, when HB brought the show back in syndication in the 80’s, they added a new character, Orbitty…

Orbitty

…And what did he add to the show? I’ll tell you:

zero

Absolutely nothing.

-It should probably be mentioned that like it’s predecessor The Flintstones, which was basically just The Honeymooners in animated form, cross-pollinated with the Tex Avery MGM short The First Bad Man, The Jetsons is similarly based on an existing fictional staple, Blondie.

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More accurately, the Blondie radio show and theatrical films starring Penny Singleton and Arthur Lake (Fun Fact: Singleton was the original voice of Jane Jetson).

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So the show was basically Blondie in the future. Fair enough, but here’s the thing…

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I thought Blondie was like watching paint dry as well! Who at HB thought that would be a good franchise to co-opt? You know your show is boring when even putting it in the Space Age can’t make it interesting.

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Granted, The Flintstones wasn’t all that great either, but that show at least had some semi-interesting characters, the occasional kind-of funny joke and it had the whole fan service thing to fall back on, so if you like dinosaurs, dudes and chicks in skins and humorous acts of animal cruelty, you can watch for those things, even if you didn’t care about the stories.

How can you have a show set in the distant future without anything fun in it? Other shows and movies have done cool stuff with that setting:

Meet the Robinsons

We only got brief glimpses of the future society in Meet the Robinsons (in fact the book the movie was loosely based on, A Day with Wilbur Robinson, didn’t even involve the future or time travel), but what we saw of it, with its’ colorful architecture (including Insta-Buildings), transportation bubbles and flying time machines, was more interesting than anything we saw on The Jetsons.

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See, that’s funny.

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A lot of the things depicted on Futurama didn’t make sense (and the show’s writers have openly admitted that a lot of it didn’t make sense), but Futurama was still cool, fun and interesting.

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Heck, even the late CBS Saturday morning cartoon Project G.eeK.eR. was more interesting than The Jetsons, and that show only lasted a single season. Project G.eeK.eR. gave us a really odd, wild, wacky and cool future setting with a dazzlingly quirky mix of human, alien, animal and robotic worlds: THAT show had a future city straight out of Blade Runner. It had artificially created super men with amazing powers. It had cyborgs. It had cool aliens. It had genetically modified humanoid dragon gangsters. It had mutated monsters. It had a space station. It had evolved talking dinosaurs who lived in a hidden dinosaur city (it turns out the dinos didn’t go extinct, they were merely hiding). It had a sentient super-intelligent strain of the common cold. It had a mad scientist mastodon voiced by Charlie Adler who floated around via an anti-gravity belt! Now THAT is interesting!

PF2200AD

Even The Partridge Family: 2200 A.D. had a couple of alien characters with quirky shticks and the family’s dog was a robot, which was kind of interesting.

Speaking of, did you know that The Partridge Family: 2200 A.D. was originally going to be a Jetsons sequel series? T’is true. It was originally planned by HB as a follow-up to the original Jetsons series a la Pebbles & Bamm-Bamm, featuring Elroy as a teenager and Judy as an adult reporter, but when the idea was pitched to then CBS president Fred Silverman, he opted to swap out the Jestons for animated versions of the Partridge Family instead. Why?

conspiracy_nut

NO ONE REALLY KNOWS.

Smiley bored 2

-Personally, I’m guessing Silvy found The Jetsons as boring as I do!

 

 

Unpopular Opinions: Teen Titans TAS is Silly!

Let’s talk about Teen Titans GO! for a minute.

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https://www.youtube.com/watch?v=0WdNHQQsnrA

 

Yeah, I know. This is a VERY polarizing series. It’s silly and nonsensical and loud and garish and seems completely inane to anyone beyond the second grade. No denying that. But what I don’t get is when people complain about TTGO! (and they do… a lot!), someone will inevitably chime in with something like…

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“Teen Titans GO! is garbage! It’s a slap in the face to fans of the original  dark and serious Teen Titans!”

wtf

Um…seriously?

teen-titans

This show was “dark and serious”? THIS SHOW?? The show in which 5 teenagers live together in a giant T-shaped tower with no adults and no discernible income who never take off their costumes (they even sleep with them on), call each other by their superhero names all the time, in one episode tried to stop a British fashion designer who’s stuck in the 1960’s from using his Yellow Submarine/Monty Python powers from turning the entire city stereotypically British and in another battled a wacky magician voiced by Tom “Spongebob Squarepants” Kenny who imprisoned them in his magic hat and they spent a bulk of the story as talking animals and in yet another episode fought a mound of living, talking tofu? You’re calling THIS show “dark and serious”??

ummno

Teen Titans GO! is very juvenile, I’ll give you that, but let’s not let our fandom cloud our memories and capacity for logical thinking, shall we? The 2003 Teen Titans series was a silly show that was occasionally intense, not an intense show that was occasionally silly. Selective memory much? Yeah, there were some intense, dramatic moments, but overall it was pretty darn goofy.

teen-titans-2

The show was like a group of kids playing superheroes, but the game never stopped. The kids stayed in character and play-acted all day and all night. Am I calling Teen Titans: TAS bad? No. But it was not “dark and serious”. The show did a Wacky Races spoof in one episode, for crying out loud.

On a similar note, when people bad-mouth the 2016 Powerpuff Girls reboot (and they do)…

ppg-2016

…I’ll hear something like:

nerd

“This show is an abomination! It’s a dumb comedy instead of a serious action cartoon like the original PPG was!”

-Whaaa? You think the original Powerpuff Girls was a serious action cartoon?

 

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Were we watching the same show back then? Or was there another show called The Powerpuff Girls that I’m not aware of? ‘Cause the PPG show that I saw was a comedy cartoon which sent up the superhero genre, like The Tick. I once said that very thing to some wanking fan, and said fan replied with:

dummy

“The Tick was a silly parody!”

And Powerpuff Girls wasn’t??

dummy

“PPG aired on Toonami for a little while!”

So did Hamtaro, so following your logic, that would also make Hamtaro an action cartoon.

Again, you can prefer whichever incarnation of PPG that you choose, but don’t hand me this malarkey that the original PPG was this hardcore action cartoon, because I know it wasn’t. I was there. It was a show about 3 color-coordinated kindergarten aged girls with crazy superpowers who spent their days fighting a super-smart chimp, a metrosexual demon, a big pink furry hillbilly monster and a gang of green skinned mutant juvenile delinquents.

Here’s today’s Unpopular Opinion. It’s actually a truism, so some of you hardcore super-fans might want to sit down for this one:

marvel-vs-dc-justice-league-avengers-team-up

THE SUPERHERO GENRE…IS…SILLY!

No, I’m not denying that there’s some great writing and action and even drama in the better stories, nor am I saying that superhero stories aren’t cool, they most certainly can be, but let’s face it: the genre as a whole is inherently goofy and absurd. It’s a universe littered with muscularly fit guys and gals who somehow come into possession of crazy magic powers and mad skills, they give themselves silly names and don brightly colored pajamas with giant letters and/or symbols on them and use said crazy magic powers to do battle against bank robbers, space invaders, mad scientists and would-be world conquerors. Reality check time: superheroes are already silly as all get-out, so turning them into fun, strictly-for-laughs comedies isn’t really that big of a stretch.

I’m not saying people have to enjoy the likes of Teen Titans GO! or Powerpuff Girls 2016; chances are if you’re above the target age group for these shows and you grew up watching their predecessors, then these shows are likely not going to be your cup of tea, but before you attempt to claim that the previous incarnations of these shows were something akin to Lord of the Rings or 12 Angry Men, you might want to take these off:

nostalgiagoggles

NOSTALGIA GOGGLES. Now with 75% More Blind Ignorance!

TV Special Tonight!: Nickelodeon’s Thanksgiving Fest

thanksgiving-turkey

Jive Turkey!

My favorite holiday is and always has been Thanksgiving. No gifts that you have to buy, no annoying carols clogging up the radio stations, all you have to do is eat and veg out in front of the TV. My kind of holiday. (If you didn’t have to put up with the family, Thanksgiving would be perfect.)

But as cool as Thanksgiving is, the holiday has never had any iconic TV specials. Thanksgiving has never had any instantly memorable specials that could be its’ equivalent to Rudolph, the Red-Nosed Reindeer or It’s the Great Pumpkin, Charlie Brown. (Yeah, there was A Charlie Brown Thanksgiving, but I don’t count that; that special was never all that spectacular, it just recycled a lot of the same beats from A Charlie Brown Christmas, not to mention depicting some of the most negligent parents in fiction. Seriously, who leaves their kids alone in the house to fend for themselves on Thanksgiving day? That’s cold, bro!)

Which is not to say that there haven’t been any notable Thanksgiving specials. One such title is the topic of the today’s TV Special Tonight, Nickelodeon’s Thanksgiving Fest, which first hit the airwaves on the World’s First Kids’ Network in 1989.

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The special had a unique style and presentation to it; it was a lot like watching Nick’s animated promos at the time in a half-hour format. In fact,  one of the directors of the special was Joey Ahlbum, the man responsible for many of Nick’s animated spots and bumpers, such as the famous “doo-wop dinos” spot. Ahlbum also did some spots for Nick At Nite and would later produce the short “Zoonatics” for Cartoon Network.

Rather than showcasing a single show-length story, Nick’s Thanksgiving Fest offered 2 short subjects, “Thanksgiving Nightmare” and “Thanksgiving Dream”, each with a linking theme of Thanksgiving (obviously!) but otherwise unrelated, with wraparound segments produced by Ahlbum himself. Little disclaimer: there aren’t going to be a ton of screen caps and images from the special in this blog post, because I couldn’t find that many; I could only find a total of 8 images from this special, and most of them were of the wraparounds, which I won’t be going into great detail over, since they were just short blackout gags and I just don’t feel like it. That said, let’s dig in.

First, we get some shtick…

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…And then it’s on with the first short.

THANKSGIVING NIGHTMARE

The special’s first offering is a slapstick-y short which owes at least some inspiration to Tom & Jerry. A noticeably rotund family of four (Mom, Dad and teen/tween-aged Daughter and Son) are happily grubbing back on their Thanksgiving dinner, when the scent of the food attracts 2 unwanted guests: a cockroach who dresses like a thug (backwards baseball cap, wife-beater and high-top sneakers) and a mouse who bears more than a passing resemblance to the early Mickey.

michael_eisner_disney_celador

“Ah, the Magic of Lawsuits!”

Chubby daughter Sissy drops a single bone from the table where it lands on the floor. Big Daddy Harold suggests that the Family Fat take a constitutional to work off the excess baggage (the kids whine about this idea at first, but agree to it after Dad promises to take them to Dairy King afterwards.)

smiley-face-with-mustache-and-thumbs-up-interview

In case you haven’t figured it out by now, the joke is: THEEEEEEY’RE FAT!!”

The 2 crispy critters proceed to duke it out over the bone, only to have their tussle halted by the family’s unnamed cat, who scares them off, causing the bone to land in Kitty’s mouth just as Mega-Mom Martha comes back for something. Of course, she assumes that the cat is the guilty party and that he was waiting for the family to get their wobbly thighs outta there so he could pick at their dinner. Large Marge threatens the “no-good flea factory” that if so much as a pea is missing when she returns, the cat will be “an outside alley cat forever!” That’s a pretty bold prediction, lady. A lot could happen after that: the cat could be adopted by another household, or he could be abducted by aliens…

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…Or he could join a gang of alley cats who live in a car in a junkyard. Just sayin’, there are a lot of possibilities.

Anyway, the family splits and the cat plants himself in front of the TV.

fest-1

“ANOTHER Deadliest Catch marathon? Geez.”

Meanwhile, each respective household pest heads to their sections of the crawl spaces and rallies their fellow vermin (seriously, do these people not realize how infested their house is??) and each deliver Braveheart style speeches about how now that the “pink giants” are gone, now is their time to crush their enemies and get their respective grub on.

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“They can take our Gouda, but they’ll never take…our Roquefort!!”

In short order, an all-out turf war ensues at the dinner table. The cat struggles to get rid of these creeps and restore order (not to mention keep a roof over his head), finally dispatching them all with a vacuum cleaner, scooping nearly all of them up. Just then, the Blobbersons return (one mouse who was keeping lookout, informs his fellows that “Them big pink things is back!”). The street cockroach and the Mickey lookalike, who have been hiding out and dodging the cat this whole time, spring their fellow vermin, by cutting the vacuum cleaner bag and they all cheese it. (This shows a lack of forethought on the cat’s part: he could just eaten the little creeps and it would have over right away.) Anyone who’s seen a Tom & Jerry cartoon in their lives can guess what happens next: plump mom Martha sees the mess and missing food, assumes the cat is responsible and promptly tosses him out on his ear, punctuated by wacky sound effects. Undaunted, the cat brushes himself off, dines on a turkey leg he managed to steal and moves on. Iris out.

Okay, I gotta say it: while I didn’t mind this short overall, the ending kind of bugged me. Granted, it was clear that the family and the cat didn’t have a glowing relationship to start with (the cat blows a raspberry at Martha the mom as soon as she leaves) but it still mildly irks me that he was trying to do the right thing (insert your own Spike Lee reference here) and still ended up with the fuzzy end of the lollipop. It’s just another example of the general mistreatment of cartoon cats that I’ve never been a fan of. Sure, some cats are sadistic, detestable jerks…

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But many of them aren’t. I’d go on, but I don’t wish to be labeled a CJW (Cartoon Justice Warrior). In summation, the main thing I took from this segment is…

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Keep plenty of spray and repellent in your house at all times!

Then, we get some more shtick…

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…And then it’s on to the next short.

THANKSGIVING DREAM

Whereas the first segment “Thanksgiving Nightmare” was played strictly for laughs, this second short is more on the cute and whimsical side, with a dose of tugging at the heartstrings.

slappysquirrel

“No bombs, no anvils, no dynamite, what a rotten cartoon!”

Set during the Great Depression, a pair of prepubescent young siblings (blond, freckle-faced Sam and his brown-haired pig-tailed sister Emily) are feeling the crunch of the times.

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Sad, ain’t it?

Their mother (Sam and Emily’s father? They never say where he is, or even who he is) is unemployed and the family has to ration what little food they have, to the point where not only do they all have barely enough for dinner that night, but all they have is a single can of beans for tomorrow’s dinner, which happens to be Thanksgiving day. Wow, is this an animated special of an episode of Queen for a Day?

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Emily and Sam go to bed. In their dream (they share dreams? So they have a hive mind? Are they psychic?), they find themselves pixie-sized and in a bizarro surreal version of their kitchen, where food products, ingredients, containers, spices and plates are suddenly anthropomorphic and serve and set themselves into a magnificent feast. It’s like Maurice Sendak’s In the Night Kitchen, sans the nudity.

Sam uses too much yeast while he and his sister help prepare the food, and accidentally creates a giant yeast monster who looks like a monstrous version of one of those flapping, flailing inflatable tube men you see in front of used car lots.

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The…whatever it is…threatens to destroy everything…somehow, but Emily and Sam save the day by filling its’ nostrils full of pepper and causing it to to deflate itself like a balloon.

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“I don’t know what these dudes are trippin’ on, but I gotta have some!”

The ensuing gusts of wind blow Emily and Sam away, and they wake up to find it was all just a dream…OR WAS IT?? The 2 kids’ noses are greeted by a wonderful smell, and head down to the kitchen to find their mom there smiling at the most impressive Thanksgiving spread they’ve ever seen. They dig in. Mom says that she doesn’t know where all this food came from, but it’s a true miracle, even it there’s a little too much pepper, after which she sneezes, but doesn’t stop eating. A carrot on Sam’s plate sprouts a face and winks at him (why it’s so happy it’s about be devoured I have no idea) and the kids share a laugh. Joy-Joy.

Nickelodeon’s Thanksgiving Fest wasn’t an A-list special, and if it aired today, it still wouldn’t be an A-list special, but it was a historically significant one. It was one of the earlier attempts by Nick to have original animated fare made specifically for their channel, a forbear to the original 3 Nicktoons, which would raise the bar and change the face of the channel forever.

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Nick: “We gonna be legends!”

TV Special Tonight!: Tabitha and Adam and the Clown Family

Today’s TV Special Tonight is about Bewitched.

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Well, kinda sorta.

Today TV Special Showdown looks at a Hanna-Barbera and Screen Gems collaborative produced installment of the ABC Superstar Movie from December of 1972, which aired after Bewitched had ended its’ 8-season run on ABC, entitled Tabitha and Adam and the Clown Family.

ta-1

M’kay. Already we’ve got a redundancy. It should be Tabitha, Adam and the Clown Family. We’re off to a rollicking start: right at the title, we get served by the Grammar Police.

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Tabitha and Adam and the Clown Family featured animated versions of Tabitha and Adam Stevens from Bewitched (because as we learned from Jason’s Retro Bin on Fonzie & Friends, TV stars are more fun when they’re turned into cartoons) now teenagers. Our friend Hobbyfan from Saturday Morning Archives takes a stab at explaining their growth spurt:

“My theory is built around Marvel Comics’ concept of time for some, if not all, of their characters. Bear in mind that Tabitha & Adam were not yet 10 years old when Bewitched ended a few months prior to Clown Family. Let’s assume that from the point where Tabitha debuted, the series covered about one day in her life per episode, and the same would apply to Adam a couple of years later.”

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“Magic. Got it.”

Like their live-action counterparts, Tabitha and Adam are witches, able to perform magic by twitching their noses.

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“Oh, yeah! We gots the skills that pay the bills! If witches actually paid bills, and couldn’t just conjure money out of thin air or turn bill collectors into newts, that is.”

Like its’ title suggests, this special not only had cartoon versions of Tabitha and Adam Stevens, but it also features a clan of clowns.

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No, not that clan of clowns, though that would’ve been a heck of a crossover.

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“Thanks. I just smurfed in my pants!”

As our special unfolds, T&A are on their way to spend a three week vacation with some relatives.

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Specifically their aunt Georgia, Darren’s mortal sister (voiced by Janet “Judy Jetson” Waldo; if you were gonna make an H-B production in the 1970’s you were gonna give Janet Waldo a spot in it), her husband Glenn (who bears a noticeable resemblance to John Butler, the dad from H-B’s Valley of the Dinosaurs, which would come later, white hair and all) and their 4 kids Mike (who could easily be the doppelganger of Freddy Jones from Scooby-Doo, Where Are You?, he even had the same voice provided by SatAM legend Frank Welker), Sue, Ernie and Julie who are all performers at the Magurk and McGuffin Circus…

philip_j__fry

“I get it!”

…collectively known as the Clown Family. That’s not just a stage name, BTW, the family’s surname is actually Clown. Middle school must’ve been a blast.

-Funny, I’ve watched all 8 seasons of Bewitched growing up, and I don’t recall them ever mentioning that Darren had family who were circus performers. If I had relatives who lived in a striped tent, it would come up once in a while.

Speaking of, at the start of the special it’s vaguely implied that T&A’s aunt Georgia knows that the kids are witches, but just keeps it on the down-low. The Clown kids, however, have no clue that their cousins are magic; they have no idea where that ice cream cone which just poofed on Adam’s face came from.

picardwtf

Really? They’ve honestly never told their favorite cousins that they’re witches? Come on. These guys live among 500-pound fat ladies, fire-breathers and sword-swallowers, the presence of witches shouldn’t really be a thing for them. Keeping your special powers secret from your enemies makes sense, keeping them secret from your family and loved ones just makes you a jerk.

ta-3

As if a family actually named Clown wherein the 2 older siblings are Flying Wallenda style acrobats and the younger siblings are bona fide clowns wasn’t premise enough, the Clown kids are also a rock band. (They also had a pet baby elephant who was totally NOT Dumbo named Trumpet who, not surprsingly, played the trumpet.) Keep in mind this was the era of The Archies and Josie and the Pussycats. Even Charlie Chan’s kids had a rock band in cartoon form. If you were a cartoon franchise in the 70’s, you had to also be a rock band.

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I think that 70’s toons were issued bubblegum rock instruments, like those little sample packs of detergent that we suburbanites get through the mail.

So we were treated to frothy musical numbers whenever someone, usually Tabitha or Adam, would announce…

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“HERE COME THE CLOWNS!”

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“And here comes my lunch!”

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Very Mod.

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Incidentally, the character of Ernie Clown was obviously based on Danny Partridge; he was constantly wanking on the business side of fame and on the lookout for extra money making opportunities, which reminds me of my favorite Danny Bonaduce quote:

danny_bonaduce

“Being a child star is great. Being a former child star, that sucks.”

Since this special is 51 minutes without commercials, there’s also a plot. It seems that a rival circus owner has hired a Bela Lugosi lookalike named Count Crumley (aka Obvious Bad Guy) and his thick-witted gnome of a lackey Ronk to sabotage the circus so it’ll go out of business. As it happens, Ronk is a warlock, just not a very good one obviously, or he wouldn’t be a sawed-off sidekick. Crumley makes Ronk cast various spells on the circus performers, such as turning the usually docile circus lion into a vicious, foul-tempered brute and putting the whammy on Ernie to make him a lousy drummer so the Clowns will blow their big audition. On noes!

Tabitha and Adam of course detect witchy activity and catch wind of what’s going on and inform their clowny cousins that there’s black magic afoot. Each time one of the Clown kids ask T&A how they know about all this witchery stuff, Tabitha issues some lame excuse like “We watch a lot of scary movies” or “I read it in a book at the library”.

Why don’t you just [bleep]ing tell them you’re witches?! Ronk has already been outed as a warlock by this point, so they know that witches and witchcraft exist, would it really send the Earth spinning off of its’ axis if your cousins know you’re craft users?? Geez, if you can’t trust circus folk, who can you trust?

Anyways, T&A and the Clown Kids track down Crumley and Ronk Scooby-Doo style, T&A perform some nose-twitching tricks and force Ronk to undo all of his spells. T&A then take Ronk aside and have a little private coven pow-wow, informing him that just because he’s a warlock it doesn’t mean that he has to serve evil jerks. This leads to Ronk pulling a face turn and telling his former boss Crumley to Take This Job and Shove It (TM), saying that he’ll be sticking around with the good guys and hopes to get a job working at the circus as a stage magician, after a little makeover…

phantasio

“ABRACADABRA, BEEYOTCHES!”

So the good guys win, the Magurk and McGuffin Circus gets to stay open, the Clowns score a big-time record contract, Tabitha and Adam get to continue their vacation and the day is saved. Yippe-Ki-Yi-Yay.

Tabitha and Adam and the Clown Family was billed as a special, but I personally think that it was a pilot for a new series which didn’t get greenlit. Perhaps folks felt that the mixture of teenage witches and circus performers who were simultaneously rock stars was two great tastes that tasted weird together. Hard to believe, but Tabitha and Adam and the Clown Family might have been too original.

ta-5

“Let’s wrap things up with another song from the Clowns!”

movie_grouchy_smurf

“Let’s NOT and say we did!”