Retroville: The Happy Land of Hanna-Barbera

Today Retroville visits a theme park attraction filled with rides and shows, populated by famous cartoon mascots.

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“When you wish upon a star/Makes no difference who you are…as long as you fly our airlines, save up for Disney Fun Bucks, stay at the Grand Floridian, visit all of our attractions and buy all of our stuff!”

No, not that one.

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THIS one.

Today’s Retroville is all about the now defunct Happy Land of Hanna-Barbera, which was located in Kings Island amusement park, formerly Kings Dominion, in Virginia.

-Did you know that the Happy Land of Hanna-Barbera was originally going to be called the Happy Kingdom of Hanna-Barbera? Well, now you do.

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“There’s only room for one kingdom on this planet, folks. Trust me, our lawyers aren’t so enchanted!”

First, a little history: In 1966, Taft Broadcasting acquired Hanna-Barbera Productions for $12 million and they were looking for ways to capitalize. So when Gary Wachs (VP Cincinnati’s Coney Island) approached them, it became apparent to Taft Executives that this would be a highly successful way to cross-promote the licensing. Taft agreed to partner and build Kings Island with the intent of using HB theming throughout the park. Once the purchase of Coney Island was secured in 1969, Taft immediately added costumed HB characters to the Coney Island midway (the “Banana Splits” even filmed their second season montage at Coney Island) and enlisted their team of designers (many of which had come from Disney’s Animation Studios) to help design a themed kids area for the new park.

Happy Land of Hanna-Barbera

The entrance to it is arced by a rainbow, and I like rainbows, so that’s kind of cool. Plus, dig that hippy-dippy font.

When “The Happy Land of Hanna-Barbera” (the final name selected) opened with Kings Island in 1972, it featured several rides transferred from Coney Island, plus new rides themed to HB. The original rides included “Gulliver’s Rub-a-Dub” (a slow scenic boat ride), “Motormouse” (a revolving car ride), “Autocat” (a revolving motorcycle and car ride), “Kikky Kangaroo” (a revolving helicopter ride), “Funky Phantom” (a child-sized whip ride), “Winsome Witch’s Cauldrons” (a spinning teacup ride), “Marathon Turnpike” (a dual-track self-propelled car ride), “Squiddly Diddly” (a children’s sized turtle ride), a loading station for the Von Roll Swiss Skyride, the “Scooby Doo” (a family sized wooden coaster) and “The Enchanted Voyage” (a dark ride journey through the world of HB cartoons). In addition, the park featured HB characters in advertising, literature and most memorably as the icons for the park’s parking lot signs.

HB Land Mascots

The mascots are coming, hooray-hooray, the mascots are coming, hooray-hooray…

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They’re hot, they’re moist and they’re spoiling for a hug. Have fun.

For the park’s second season, more theming elements and re-paints to rides help spiff up the area a bit. Props designed and created by HB studios – such as fiberglass characters and an animated snail in front of the “Enchanted Voyage” – helped improve upon the theming from the opening season. Following 1973, “The Happy Land of Hanna-Barbera” actually remained relatively untouched for a decade with the exceptions being cosmetic changes to the façade of the “Enchanted Voyage”, the addition of “Boulder Bumpers” (a Flintstones-themed bumper car attraction added in 1978) and the re-theming of the “Scooby Doo” coaster to “The Beastie.”

Gullivers Galley

Come to Gulliver’s Galley and play the wondrous game, Stomp-A-Lilliputian.

In 1982, (the 25th anniversary of Hanna-Barbera Studios and the 10th anniversary of Kings Island) the park spent $2.1 million to remodel and update. Re-branded “Hanna-Barbera Land”, the themed section increased its land space by 50 percent adding 20 new rides and participatory attractions. Among the new features were: “Shaggy’s Silly Sticks (an elaborate climbing structure), “Fools House” (a walk-through fun house), “The Hanna Barbera Carousel (a merry-go-round featuring HB icons) and “Scooby Choo” (a miniature railroad).

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“Yay, puns!”

In addition, a brand-new interactive blue elephant fountain and “The Puppet Tree” (a marionette/puppet theater) were added. Finally, the station for the Von Roll Swiss Skyride (which had been removed two years prior) was converted to the “Hanna-Barbera Shop.” Both William Hanna and Joseph Barbera attended the opening festivities of the “new” land on April 19, 1982 along with over 100 elementary-aged kids.

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“Grade-schoolers. Now that’s good eatin’! Just kidding, we don’t eat ’em, we just put ’em to work in our Happiness Mines.”

Just two years later, in 1984, the park entered into a $1 million licensing deal to bring the immensely popular “Smurfs” to the park. (The Smurfs aren’t original creations of Hanna-Barbera, but H-B produced the Smurfs Saturday morning TV series, so there ya go.) Papa Smurf, Brainy Smurf and Smurfette began roaming the midway and the “Enchanted Voyage” was re-themed to “Smurf’s Enchanted Voyage.”

Smurfs Enchanted Village

When the Smurfs performed their own rendition of “I’m Blue” by Eiffel 65, I cried…mainly because they locked the door to the exit.

However, the most significant Smurf-themed addition to Kings Island was not a ride at all. It was actually the renowned “Smurf” blue ice cream – a tasty blueberry flavored sweet that has become a staple of the park. It was a runaway hit and remains, to this very day, Kings Island’s most popular treat (although now simply called Blue Ice Cream).

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“Don’t get too excited, it’s not made with ground-up Smurf guts. What a letdown!”

The Smurfs called Kings Island home through the 1991 season, but when their popularity dipped they were phased out. It was also at this time that the ever-popular “Enchanted Voyage” (still themed to Smurfs) bid farewell to Kings Island. A beloved original staple of the park, the ride was in desperate need of updating. Upon its closure, the attraction was modernized and converted to “Phantom Theater.” The park utilized part of the original “Voyage” show building and land to create the “Hanna-Barbera Theater” and install the “Scooby Zoom” coaster (currently named “Great Pumpkin Coaster”). “Dick Dastardly’s BiPlanes were also added and, after 20 years of service, Winnie Witch’s Cauldrons were retired and replaced with “Pixie and Dixie’s Swingset”.

In 1998, Hanna-Barbera Land received its final facelift. The park bid farewell to the familiar rainbow entrance arch which had existed in various forms since the opening season…

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“NOT THE RAINBOW!!!!!!!!”

…And they repainted, relocated or re-named virtually every existing HB ride. Three new rides were added including “Yogi’s Sky Tours”, “Atom Ant Skyway” and “Scooby’s Ghoster Coaster.” A first of its kind, “Scooby’s Ghoster Coaster” was a suspended single-rail coaster which featured an elevator lift that took bat-shaped cars (holding one adult and one child) on a flight over the area!

ScoobyDoo

“Zoomy-zoomy-zoom!”

In 1995 a “Nickelodeon Splat City” themed area had been introduced at the park and took the location of the former HB Marathon (Sunshine) Turnpike ride. This infiltration of immensely popular, and current television cartoon characters would eventually outshine the dated HB theme. Yogi, Fred Flintstone and Huckleberry Hound, still ingrained into adults who had grown up with them, were now seen as outdated and unpopular with new generations. In 2001, a Nickelodeon expansion would prompt more loss to the HB theming, and by 2006 the Hanna-Barbera theming would be discontinued and removed from the park altogether. Even the “Beastie” coaster would receive Nickelodeon branding.

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This signified a definitive end of an era for the park, Hanna-Barbera, and the guests that had enjoyed the kids’ area for 32 years.

The Nickelodeon theming would only last for another four years. In 2010, the entire kids’ area was re-imagined with the wholesome, and long popular Peanuts characters. All kid’s area rides and attractions would receive new themes with names based on Charles Schulz’s characters Charlie Brown, Snoopy, Linus, Lucy and more.

Planet Snoopy

Peanuts? Really? I get that those characters are popular, but Charlie Brown and company are such a weird choice to build a theme park around. Have you ever read Peanuts? It’s one of the talkiest, moodiest and most borderline depressing comics strips ever written. Those kids are never happy; they spend most of their time parading their neuroses around…constant failure, battling one’s inner demons and unrequited love don’t exactly scream ‘fun times at the park’.

Peanuts Gang

Don’t let this ‘Happy Dance’ pic fool you…that’s just a PR thing.

The Happy Land of Hanna-Barbera lasted from 1972 to 2005. Hanna-Barbera isn’t everybody’s cup of tea: they tended to recycle a lot of their concepts, premises and characters, also they pioneered the art of ‘limited animation’, but who says that only Disney can have their own designated amusement nation?

Mickey Mouse

“Hail to the King, baby!”

My family and I actually visited the Happy Land of Hanna-Barbera back in the ancient 1970’s, back when Kings Island was still called Kings Dominion, and we got our picture taken with Drooper of the Banana Splits. (He’s no Bingo, but he’s still a Banana Split, dangit!) after Huckleberry Hound ran away from us. Some mascots are just touchy about blowtorches, I guess. I’ve always been more of a Looney Tunes fan, but I’ve enjoyed some of H-B’s output, and I’m OK with lands full of colorful characters which manufacture happiness, so hats off to the Happy Land!

HB Land Entrance

Mmm, now that’s good rainbow!

Unpopular Opinions: The Jetsons

Usually I like to start these segments with a clever little intro that segue ways into the main point, but this time I can’t think of any way to sugar-coat this particular thesis, so I’m just going to come right out and say it…

Jetsons

The Jetsons is boring.

There, I said it.

I know that it’s considered a classic cartoon. I know that it’s a staple of Hanna-Barbera. I know that many people regard it as iconic. But it’s still as dull as dishwater. The stories are dull. The characters are dull. The jokes are dull. And the depiction of the World of Tomorrow (TM) is really, really dull. The latter is particularly puzzling, since distant future settings are usually cool. We here at Twinsanity love the Utopian future setting (as referenced in “The Future Rocks!”) but on The Jetsons there’s absolutely nothing you’d find fun to watch.

Alien on Hoverboard

Where are the cool aliens?

Hoverboard

Where are the hoverboards?

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Where’s the cool future tech?

Where’s the mind-boggling science fiction stuff? The only remotely cool thing on The Jetsons is the flying cars. That’s it. You can’t even fall back on the appeal of the show’s main cast, since the titular characters are likewise as dull as a plain dry piece of toast. Sure, Elroy’s smart and Judy’s nice to look at, but the show didn’t even mine those elements for all they could.

Yeah, when HB brought the show back in syndication in the 80’s, they added a new character, Orbitty…

Orbitty

…And what did he add to the show? I’ll tell you:

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Absolutely nothing.

-It should probably be mentioned that like it’s predecessor The Flintstones, which was basically just The Honeymooners in animated form, cross-pollinated with the Tex Avery MGM short The First Bad Man, The Jetsons is similarly based on an existing fictional staple, Blondie.

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More accurately, the Blondie radio show and theatrical films starring Penny Singleton and Arthur Lake (Fun Fact: Singleton was the original voice of Jane Jetson).

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So the show was basically Blondie in the future. Fair enough, but here’s the thing…

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I thought Blondie was like watching paint dry as well! Who at HB thought that would be a good franchise to co-opt? You know your show is boring when even putting it in the Space Age can’t make it interesting.

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Granted, The Flintstones wasn’t all that great either, but that show at least had some semi-interesting characters, the occasional kind-of funny joke and it had the whole fan service thing to fall back on, so if you like dinosaurs, dudes and chicks in skins and humorous acts of animal cruelty, you can watch for those things, even if you didn’t care about the stories.

How can you have a show set in the distant future without anything fun in it? Other shows and movies have done cool stuff with that setting:

Meet the Robinsons

We only got brief glimpses of the future society in Meet the Robinsons (in fact the book the movie was loosely based on, A Day with Wilbur Robinson, didn’t even involve the future or time travel), but what we saw of it, with its’ colorful architecture (including Insta-Buildings), transportation bubbles and flying time machines, was more interesting than anything we saw on The Jetsons.

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See, that’s funny.

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A lot of the things depicted on Futurama didn’t make sense (and the show’s writers have openly admitted that a lot of it didn’t make sense), but Futurama was still cool, fun and interesting.

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Heck, even the late CBS Saturday morning cartoon Project G.eeK.eR. was more interesting than The Jetsons, and that show only lasted a single season. Project G.eeK.eR. gave us a really odd, wild, wacky and cool future setting with a dazzlingly quirky mix of human, alien, animal and robotic worlds: THAT show had a future city straight out of Blade Runner. It had artificially created super men with amazing powers. It had cyborgs. It had cool aliens. It had genetically modified humanoid dragon gangsters. It had mutated monsters. It had a space station. It had evolved talking dinosaurs who lived in a hidden dinosaur city (it turns out the dinos didn’t go extinct, they were merely hiding). It had a sentient super-intelligent strain of the common cold. It had a mad scientist mastodon voiced by Charlie Adler who floated around via an anti-gravity belt! Now THAT is interesting!

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Even The Partridge Family: 2200 A.D. had a couple of alien characters with quirky shticks and the family’s dog was a robot, which was kind of interesting.

Speaking of, did you know that The Partridge Family: 2200 A.D. was originally going to be a Jetsons sequel series? T’is true. It was originally planned by HB as a follow-up to the original Jetsons series a la Pebbles & Bamm-Bamm, featuring Elroy as a teenager and Judy as an adult reporter, but when the idea was pitched to then CBS president Fred Silverman, he opted to swap out the Jestons for animated versions of the Partridge Family instead. Why?

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NO ONE REALLY KNOWS.

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-Personally, I’m guessing Silvy found The Jetsons as boring as I do!

 

 

TV Special Tonight!: Tabitha and Adam and the Clown Family

Today’s TV Special Tonight is about Bewitched.

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Well, kinda sorta.

Today TV Special Showdown looks at a Hanna-Barbera and Screen Gems collaborative produced installment of the ABC Superstar Movie from December of 1972, which aired after Bewitched had ended its’ 8-season run on ABC, entitled Tabitha and Adam and the Clown Family.

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M’kay. Already we’ve got a redundancy. It should be Tabitha, Adam and the Clown Family. We’re off to a rollicking start: right at the title, we get served by the Grammar Police.

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Tabitha and Adam and the Clown Family featured animated versions of Tabitha and Adam Stevens from Bewitched (because as we learned from Jason’s Retro Bin on Fonzie & Friends, TV stars are more fun when they’re turned into cartoons) now teenagers. Our friend Hobbyfan from Saturday Morning Archives takes a stab at explaining their growth spurt:

“My theory is built around Marvel Comics’ concept of time for some, if not all, of their characters. Bear in mind that Tabitha & Adam were not yet 10 years old when Bewitched ended a few months prior to Clown Family. Let’s assume that from the point where Tabitha debuted, the series covered about one day in her life per episode, and the same would apply to Adam a couple of years later.”

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“Magic. Got it.”

Like their live-action counterparts, Tabitha and Adam are witches, able to perform magic by twitching their noses.

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“Oh, yeah! We gots the skills that pay the bills! If witches actually paid bills, and couldn’t just conjure money out of thin air or turn bill collectors into newts, that is.”

Like its’ title suggests, this special not only had cartoon versions of Tabitha and Adam Stevens, but it also features a clan of clowns.

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No, not that clan of clowns, though that would’ve been a heck of a crossover.

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“Thanks. I just smurfed in my pants!”

As our special unfolds, T&A are on their way to spend a three week vacation with some relatives.

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Specifically their aunt Georgia, Darren’s mortal sister (voiced by Janet “Judy Jetson” Waldo; if you were gonna make an H-B production in the 1970’s you were gonna give Janet Waldo a spot in it), her husband Glenn (who bears a noticeable resemblance to John Butler, the dad from H-B’s Valley of the Dinosaurs, which would come later, white hair and all) and their 4 kids Mike (who could easily be the doppelganger of Freddy Jones from Scooby-Doo, Where Are You?, he even had the same voice provided by SatAM legend Frank Welker), Sue, Ernie and Julie who are all performers at the Magurk and McGuffin Circus…

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“I get it!”

…collectively known as the Clown Family. That’s not just a stage name, BTW, the family’s surname is actually Clown. Middle school must’ve been a blast.

-Funny, I’ve watched all 8 seasons of Bewitched growing up, and I don’t recall them ever mentioning that Darren had family who were circus performers. If I had relatives who lived in a striped tent, it would come up once in a while.

Speaking of, at the start of the special it’s vaguely implied that T&A’s aunt Georgia knows that the kids are witches, but just keeps it on the down-low. The Clown kids, however, have no clue that their cousins are magic; they have no idea where that ice cream cone which just poofed on Adam’s face came from.

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Really? They’ve honestly never told their favorite cousins that they’re witches? Come on. These guys live among 500-pound fat ladies, fire-breathers and sword-swallowers, the presence of witches shouldn’t really be a thing for them. Keeping your special powers secret from your enemies makes sense, keeping them secret from your family and loved ones just makes you a jerk.

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As if a family actually named Clown wherein the 2 older siblings are Flying Wallenda style acrobats and the younger siblings are bona fide clowns wasn’t premise enough, the Clown kids are also a rock band. (They also had a pet baby elephant who was totally NOT Dumbo named Trumpet who, not surprsingly, played the trumpet.) Keep in mind this was the era of The Archies and Josie and the Pussycats. Even Charlie Chan’s kids had a rock band in cartoon form. If you were a cartoon franchise in the 70’s, you had to also be a rock band.

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I think that 70’s toons were issued bubblegum rock instruments, like those little sample packs of detergent that we suburbanites get through the mail.

So we were treated to frothy musical numbers whenever someone, usually Tabitha or Adam, would announce…

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“HERE COME THE CLOWNS!”

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“And here comes my lunch!”

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Very Mod.

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Incidentally, the character of Ernie Clown was obviously based on Danny Partridge; he was constantly wanking on the business side of fame and on the lookout for extra money making opportunities, which reminds me of my favorite Danny Bonaduce quote:

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“Being a child star is great. Being a former child star, that sucks.”

Since this special is 51 minutes without commercials, there’s also a plot. It seems that a rival circus owner has hired a Bela Lugosi lookalike named Count Crumley (aka Obvious Bad Guy) and his thick-witted gnome of a lackey Ronk to sabotage the circus so it’ll go out of business. As it happens, Ronk is a warlock, just not a very good one obviously, or he wouldn’t be a sawed-off sidekick. Crumley makes Ronk cast various spells on the circus performers, such as turning the usually docile circus lion into a vicious, foul-tempered brute and putting the whammy on Ernie to make him a lousy drummer so the Clowns will blow their big audition. On noes!

Tabitha and Adam of course detect witchy activity and catch wind of what’s going on and inform their clowny cousins that there’s black magic afoot. Each time one of the Clown kids ask T&A how they know about all this witchery stuff, Tabitha issues some lame excuse like “We watch a lot of scary movies” or “I read it in a book at the library”.

Why don’t you just [bleep]ing tell them you’re witches?! Ronk has already been outed as a warlock by this point, so they know that witches and witchcraft exist, would it really send the Earth spinning off of its’ axis if your cousins know you’re craft users?? Geez, if you can’t trust circus folk, who can you trust?

Anyways, T&A and the Clown Kids track down Crumley and Ronk Scooby-Doo style, T&A perform some nose-twitching tricks and force Ronk to undo all of his spells. T&A then take Ronk aside and have a little private coven pow-wow, informing him that just because he’s a warlock it doesn’t mean that he has to serve evil jerks. This leads to Ronk pulling a face turn and telling his former boss Crumley to Take This Job and Shove It (TM), saying that he’ll be sticking around with the good guys and hopes to get a job working at the circus as a stage magician, after a little makeover…

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“ABRACADABRA, BEEYOTCHES!”

So the good guys win, the Magurk and McGuffin Circus gets to stay open, the Clowns score a big-time record contract, Tabitha and Adam get to continue their vacation and the day is saved. Yippe-Ki-Yi-Yay.

Tabitha and Adam and the Clown Family was billed as a special, but I personally think that it was a pilot for a new series which didn’t get greenlit. Perhaps folks felt that the mixture of teenage witches and circus performers who were simultaneously rock stars was two great tastes that tasted weird together. Hard to believe, but Tabitha and Adam and the Clown Family might have been too original.

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“Let’s wrap things up with another song from the Clowns!”

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“Let’s NOT and say we did!”

2 Funny: The Powerpuff Girls Meet the Super Friends

After all of the negative reception surrounding Cartoon Network’s 2016 reboot of The Powerpuff Girls, I thought that we could flash back to something PPG related that people would enjoy. Here’s a CN promo that was made years ago showing a collision between the Powerpuff Girls and Hanna-Barbera’s Saturday morning cartoon Super Friends. Enjoy:

Kudos to CN for being able to get Shannon Farnon to reprise her role as Wonder Woman here.

Cartoon Country: Dexter’s Lab – Chubby Cheese

Today we’ll be looking back a short from episode 15 of Cartoon Network’s Dexter’s Laboratory titled “Chubby Cheese”.

Chubby_Cheese title card

The plot has boy genius Dexter (along with his vacuous sister Dee-Dee) being taken by their parents to Chubby Cheese, an obvious parody of the Chuck E. Cheese’s family pizza restaurant chain, complete with games, pizza and cartoon mascots. Of course, the coldly logical Dexter is having none of this frivolity, but his family are all too hopped up on happy to notice this. Dexter soon afterwards sets his sights on winning tickets for a Monkey (from ‘Dial M for Monkey’) doll at a machine, where he uses a sophisticated device of his own design in order to rig the machine to obtain it.

Chubby Cheese 2

Chubby Cheese

The highlight of this short (for me, anyway) is the restaurant’s intentionally tacky stage show which is performed by a grotesque, bloated animatronic rat mascot (voiced by Rob Paulsen) with mechanical puppets telling bad jokes and singing an inane song to a wildly appreciative audience.

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Is it possible to catch fleas from an animatron?

The show also features a veritable galaxy of Hanna-Barbera funny animal characters from the 1950s, 60s and 70s as animatrons. It takes a keen eye to spot them all.

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Here are the ones that I noticed:

  • Squiddly Diddly
  • Hair Bear (from The Hair Bear Bunch)
  • Boo-Boo
  • Paw Rugg (from The Hillbilly Bears)
  • Breezly Bruin
  • Sneezly Seal
  • Peter Potamus
  • So-So
  • Punkin’ Puss
  • Mush Mouse
  • The Great Grape Ape

Fun Fact: Did you know that the “E” in Chuck E. Cheese’s name stands for “Entertainment”? That the mascot’s full name is Charles Entertainment Cheese? Well now you do.

The More You Know