Peeks: Early Thoughts on Big Hero 6 Animated Series and DuckTales Reboot

Recently, it’s been announced that Disney will be launching 2 new animated shows: a reboot of DuckTales (which was announced previously) and a series adaptation of Big Hero 6, both due out in 2017. I decided to give Twinsanity’s early thoughts, impressions and ramblings on each series in the same article, since both shows are coming to us from the same studio and in the case of each we only have a single image to go on. We are lazy, keep in mind. I’ll address them in alphabetical order.

BIG HERO 6: THE SERIES

BIG HERO 6

BIG HERO 6 – “Big Hero 6,” an animated television series for kids, tweens and families based on Walt Disney Animation Studios’ Academy Award-winning feature film inspired by the Marvel comics of the same name, has begun production for a 2017 premiere on Disney X-D platforms around the world. (Disney X-D)

Disney has announced a new series based on the Academy Award-winning film set to premiere in 2017 on Disney X-D platforms.

The show picks up where the movie left off, focusing on 14-year-old genius Hiro, his personal healthcare companion Baymax, and the rest of the team, including Wasabi, Go Go, Honey Lemon, and Fred.

According to Disney, Hiro will face “daunting academic challenges” and “social trials” on campus at San Fransokyo Institute of Technology. The team will also protect San Fransokyo from “an array of scientifically enhanced villains.”

“Our colleagues at Walt Disney Animation Studios have created a brilliant new world, inspired by Marvel, with vivid, unique characters. We are thrilled to have the opportunity to further develop these characters into a world class animated series…” Disney Channels Worldwide President Gary Marsh said in a statement.

Mark McCorkle and Bob Schooley, who collaborated on Kim Possible, will executive produce the Big Hero 6 Animated Series.

Last year, Stan Lee dropped hinted at the possibility of a Big Hero 6 sequel in an interview. It remains to be seen if a sequel film happens now that an animated series is coming.

OUR THOUGHTS:

  • Judging by the above image (which again I’d like to emphasize is all we have to go on thus far, so if I’m wrong about any of this, don’t rake me over hot coals), it would appear that this series will be hand-drawn rather than CGI. Now unlike most people I don’t hate CGI; it would be nice if every animated movie weren’t rendered in CGI by default, but I’m OK with CG if it’s good and professionally done, however this would seem to be another case like the Buzz Lightyear of Star Command animated series (anyone remember that?): the Mouse House probably figured that producing a TV series with the film’s level of animation would be expensive and time consuming. If the animation is decent, then that’s fine; I hope it’ll be a step up from the Marvel Universe shows.
  • Speaking of, I wonder if this series will be part of the Marvel Universe block, or will it air separately? And if it’s the former, will BH6: The Series be part of the Marvel Animated Universe? I personally kind of hope not; I wouldn’t want every other episode to be some crossover with a Marvel superhero and for whenever anything out-of-the-ordinary happens in San Fransokyo, the Avengers and Spider-Man fly in to see what’s going on. That might help the show sell better, but IMO it would be more constrictive on the stories. I’d rather BH6 take place in its’ own separate universe and continuity.
  • The article I read states that the show will be divided along the lines of Hiro and company’s adventures at the Institute mixed with superhero capers. I hope this means that the gang won’t be saving the world in every episode, just some of the time. I see this series as sort of a Dexter’s Laboratory meets Ultraman. The part about “social trials” kind of troubles me, though; I hope this doesn’t mean the show will degenerate into Saved by the Bell territory.
  • To make me a happy fan, the shows needs to do 2 things: One, don’t give Hiro a FRI (Forced Romantic Interest). The last thing the character needs is some unnecessary girlfriend/love interest character hanging around. Hiro isn’t Ben 10, and he doesn’t need a Julie. Two, producers, I beg you: KEEP TADASHI DEAD. I can’t tell you how many cheesy fanfics I’ve read in which Tadashi miraculously comes back to life or it’s revealed that he wasn’t actually dead. Bringing Tadashi back would not only be pointless and unnecessary, but it would negate the events and tribulations of the movie. I can’t believe the number of people who became emotionally attached to that character; these people have obviously never read a comic in their lives; you guys realize that Tadashi is nothing, right? He was created by Disney for the sole purpose of becoming a martyr for the sake of getting the plot going because that’s what Disney does. So the Powers That Be bring Tadashi back, and then what? He joins the team and it becomes Big Hero 7? Lame. He starts dating one of the female team members? Doubly lame. I can’t over-emphasize this: keep the realtionships between the individual team members strictly platonic. DO NOT under any circumstances, turn this show into The O.C. If that happens, I’m out.
  • OK, there’s actually a 3rd thing I’d like to see happen on this show: I’d like for Go-Go, Honey Lemon, Fred, Wasabi and Aunt Cass to get more screen time and maybe an episode or 2 devoted to them once in a while, since the movie largely focused on Hiro and Baymax.

DUCKTALES REBOOT

ducktales 2017

It’s a Duck-Blur!

OUR THOUGHTS:

  • Again, going by the above image, it would appear that the new DuckTales series will likewise be hand–drawn rather than CG. No doubt that decision was fueled at least partially by the success of the new Mickey Mouse shorts, which have been doing quite well with audiences and are actually quite good, if you haven’t seen them, I’d suggest you rectify that problem. This also puts the series closer to the legendary Carl Barks Donald Duck and Scrooge McDuck comics, which inspired DuckTales in the first place.
  • You’ll notice that Huey, Dewey and Louie are sporting more disparate and distinctive looks and outfits here; note that Huey’s the only one wearing a cap, Dewey’s wearing a 2-colored T-shirt and Louie’s wearing what appears to be a hoodie. Fans may recall that Disney attempted to give each nephew their own look once before in Quack Pack; a lot of fans objected to that, but honestly that was the least of that show’s problems. The Mouse House has already designated that each brother will wear a distinctive color (here’s how to remember: the brightest hue of the 3 is red, the color of dew is blue and that leaves Louie, and leaves are green), so giving each one their own outfit only seems like the next logical step. I wonder if the characters will each have different personalities like they did in Quack Pack (those who remember that series will recall that there Huey was a like a teenage Johnny Bravo who tried to put the moves on anything with long eyelashes, Dewey was the smart one who was into tech and believed in aliens and the like, and Louie was the most playful and outgoing but a little slow on the uptake) and whether they’ll each have different voices this time around.
  • Webby’s clearly a little older this time around; again I have no problem with the character and hope she can carve a niche for herself as an active character and not just be an annoyingly cutesy tag-along.
  • Perhaps THE most notable change this time around is that it appears that Donald Duck himself may be joining the adventures full-time (otherwise, why bother putting him in the publicity picture?); in the 1987 series, Don appeared in the pilot and only made occasionally appearances from then on, the producers had him join the Navy for some reason, perhaps they felt at the time that the classic shorts characters such as Mickey, Donald and Goofy were considered too iconic to be used for a ‘lowly’ syndicated TV series, though Disney later reneged on that decision with Goof Troop and Quack Pack. I’m a fan of Donald Duck and so I’m totally fine with him being around full-time if that’s the case.
  • Speaking of, some fans have stated that they want to see the characters of Launchpad McQuack and Fenton Crackshell/Gizmoduck make their returns; while I wouldn’t be against them coming back and would be fine with them being there, idly I have to wonder how necessary they’d be now that Donald’s apparently going to be a regular. Keep in mind that many of the DuckTales episodes were just TV adaptations of the Carl Barks comics’ stories, and in several of them Donald’s part would have to be given to somebody else due to his not being a full-time regular. For example, in “The Land of Tra-La-La”, the character who gives one of the citizens of Tra-La-La a bottle cap, thus introducing them to the concept of money, was Donald in the original comics story, on TV that role was given to Fenton. Also, in “The Golden Fleecing”, the character who first encounters the Harpies in the comics version of the story was Donald, but in the TV episode it was Launchpad. So given how in many cases Launchpad and Fenton were more-or-less stand-ins for Donald, I’m not sure how much this new series will require them, however, I’d still be OK with them showing up.

-Honestly, I’m OK with any character coming back, as long as Bubba Duck stays buried.

Bubba06

Bubba was basically Waluigi, only without the fan base.

 

 

Toons & Tunes: Fantasia 2000 – Rhapsody in Blue

Disney’s Fantasia 2000 was met with mixed reaction, but there was one segment in it which I particularly enjoyed, and it’s the subject of today’s Toons & Tunes. It’s the movie’s sequence for Rhapsody in Blue, a 1924 composition by George Gershwin for solo piano and jazz band, which combines elements of classical music with jazz-influenced effects.

Set in New York City in the 1930’s during the  Great Depression, in the lobby of the Hotel New York, the segment tells the story of several people in a daily life during a rough period. It starts with the following:

  • Construction Worker Duke heading off to work, while having dreams of being a jazz musician.
  • A jobless man named Joe is having coffee at a diner, feeling depressed at having no job and having a lack of money and is treated badly due to being out of money, not even having enough to spend on food.
  • A little girl named Rachel has to go various classes throughout the day while her parents work in the struggling economy, having to be with her nasty nanny throughout the day doing things she has no interest in or is bad at (such as ballet, which leads to her crashing into a closet, swimming, where she is covered from head to toe with various swim aids, singing badly to the point a dog faints, splashing her art teacher with blue paint, tying up someone with a gymnastic rope, just blocking a tennis ball with the racket, and almost falling off her piano-playing chair).
  • A man named Flying John is out and about with his wife Margaret, getting stuff for her dog while he just wants to have fun.

The segment ends with all four protagonists getting their wish, though their stories interact with each other’s without any of them knowing.

The characters are designed in the style of Al Hirschfeld’s known caricatures of the time.

Of all the segments from Fantasia 2000, this is the one that’s always stood out for me. It’s not as flashy or surreal as many of the other segments, but it tells simple little stories (no “magic land lives an idyllic life, then some Big Evil strikes and some heroes have to spend the story defeating said evil” shtick here; I’ve always preferred simple plots, which is one reason why I’ve always enjoyed shorts over features), funny and sweet, and you feel for the characters without it having to veer into hammy, smarmy, heavy-handed bathos territory. And all this without a single line of dialogue being uttered. Well played, Disney. Enjoy.

https://www.youtube.com/watch?v=qWJ-kGuOA_Q

Talkin’ Nerdy: It’s All Freak to Me

X-Men

One of Marvel Comics’ most popular and iconic franchise characters are the X-Men. Created in 1963 by writer Stan Lee and artist/co-writer Jack Kirby, and achieving mainstream success in the 1990’s thanks to their successful Saturday morning cartoon show on Fox Kids in the 1990’s, this sub-species of humans who are born with superhuman abilities and who fight for peace and equality between normal humans and mutants in a world where antimutant bigotry is fierce and widespread, are among the most recognizable and lucrative intellectual properties of Marvel Comics, appearing in numerous books, television shows, films, and video games…..

….Just not in the Marvel Cinematic Universe. And the cries of a million fanboys can be heard across the cosmos.

Why not, you may ask? It’s because of the ongoing tug-of-war between Disney/Marvel and 20th Century Fox, who currently hold the film rights to the mutants.

Corporate Tug of War

“The X-Men are OURS! We created them! Hand them over! We want to cross them over with the Guardians of the Galaxy!”

-“No, they’re OURS! You gave the rights away! No take-backs! We need the mutants! The Simpsons aren’t funny anymore!”

Fox isn’t about to relinquish the rights to the X-Men Franchise as long as their films are putting butts into seats, but Disney/Marvel wants to use them real bad. They have had to bite their tongues about it so much that their tongues look like a dog’s chew toy. In the first 2 seasons of Marvel’s Agents of S.H.I.E.L.D., whenever someone would debunk psychics as being fake, what they were really saying was:

“We can’t reference the X-Men because 20th Century Fox still holds the movie rights.”

Unable to utilize the muties for the MCU, Marvel has turned its’ attention to another sub-species of super-powered individuals, The Inhumans.

X THIS!

X THIS!

For those who don’t know, the Inhumans are are a fictional race of superhumans which first appeared in Fantastic Four #45 (December 1965), though members Medusa and Gorgon appeared in earlier issues of that series (#36 and #44, respectively). Their comic book series has usually focused more specifically on the adventures of the Inhuman Royal Family, and many people associate the name “Inhumans” with this particular team of super-powered characters. Their home, the city of Attilan, is described as the home of a race existing alongside of humans that was evolutionarily advanced when human beings were still in the Stone Age.

Since Marvel can’t use the X-Men, they’ve subsequently introduced Inhumans into the the Marvel Cinematic Universe in the second season of Agents of S.H.I.E.L.D. and they will also be featured in the film Inhumans, set for release on July 12, 2019.

But wait, there’s more: in the comics, there has recently been a story arc which begins with a Terrigen Bomb (the principal Inhumans were given their special powers due to experimentation with a mutagenic Terrigen Mist — a process known as Terrigenesis) going off and spreading Terrigen Mist all over the place. This mist has begun sterilizing Earth’s existing mutants as well as preventing humans from giving birth to new mutants, basically spelling the extinction of the mutant race, and this same mist has started created new Inhumans in various places, thus effectively making Inhumans the new Mutants. Marvel must be figuring “If WE can’t have the mutants, then NO ONE can!”

“WHAT? Ah finally git muh powers under control so ah can finally go on a date with a fella without puttin’ him in a coma, an’ now they’re tryin’ to wipe us out in favor of Black Bolt’s crew?? Now, don’t that just churn your butter?!”

-Now it’s worth mentioning that mutants have faced near-extinction in the comics before; the Legacy Virus and the House of M storyline, to name only 2 examples, so this whole mess could easily be undone with a corporate meeting and a universe-sweeping retcon, but if Marvel is truly planning to change the rules regarding their super-freaks and remake their mutant population, then I’d like to offer some suggestions of my own. Just some things I’d personally like to see altered regarding the Mutant/Inhuman (or whatever they end up calling them) over at Marvel.

  1. TOO MANY MUTANTS

I don’t think Mutants/Inhumans need to go away, but I definitely feel the mutant herd needs to be thinned out considerably. For a time in the comics, there were so many mutants in the Marvel Universe that not only were there 2 X-Men teams (Blue and Gold), but there were also numerous offshoot mutant teams: X-Force, X-Factor, Excalibur, Generation X, X-Treme, X-Perts, X-Rays, X-Thems, X-YZ, X-Marks The Spot…I’d personally do away with all that and just have one single mutant team. Regarding the Inhumans, I like the idea of all the Mutants/Inhumans all coming from a single bloodline or Royal Family; they could all originally reside in one single citadel before being “discovered” by human beings.

Advanced civilization. Advanced technology. Increased rent.

Advanced civilization. Advanced technology. Increased rent.

I like that idea a lot more than mutants just being random people who keep popping up all over the globe. After all, if every 10th person on the planet is a mutant, then what’s so special about being an X-Man? I’d also give the Mutant/Imhumans a special mark or royal seal that they’d all bear, like a snazzy tattoo:

Like in 'Mortal Kombat Annihilation', only not lame.

Like in ‘Mortal Kombat Annihilation’, only not lame.

It could also be a bar code if you want the mark to be more Mad Science-y. The Inhumans were originally experimented on by the alien Kree, after all.

The seal could also be a bar code on the back of their necks a la “Dark Angel” (for the 2 of you who remember that show) if you want the mark to be more Mad Science-y. The Inhumans were originally experimented on by the alien Kree, after all.

I’d definitely keep the Mutant/Inhuman race small and self-contained and keep the mutations within the same clique of clans.

“Ever’body on Atillan is kin folk, some in 2 or 3 diff’rent ways. Know whut ah mean?”

2. FIVE ON ONE HAND, HALF OF TEN ON THE OTHER.

Come closer, I’d like to share a little secret I have with you all. Ready? Here it is:

-In it’s current dimensions, I think that the X-Men mythos only really works when mutants are the only super-powered beings on the planet; they don’t really work alongside other super heroes.

Homer Scream

T’is true. If you’re really gonna milk the whole “People hate and fear mutants because they’re scared of their powers and worried that they’re gonna take over and turn on humanity, yada yada yada” shtick, then that kind of falls apart once you start adding radioactive spider-men, gamma-radiated green giants, Asgardian gods, serum-augmented super-soldiers, aliens, wizards, and cosmic ray-bombared space explorers into the mix. That then raises questions like “Then don’t people also think Hulk and Spider-Man are mutants?” or “Why don’t people pelt Captain America, the Fantastic Four and the Avengers with rotten fruit?” or “What about Iron Man? How many people are that smart? How do we know that he doesn’t possess an x-gene that increases his intellect tenfold?” To boot, several mutant and non-mutant heroes have the same or similar powers. For example, this is Crystal of Atillan.

She can psionically control the forces of air, earth, fire and water, i.e., controlling the elements.

She can psionically control the forces of air, earth, fire and water, i.e., controlling the elements.

And this is Storm of the X-Men.

She can mentally command and control the forces of wind, rain, thunder and lighting. A mistress of controlling the elements.

She can mentally command and control the forces of wind, rain, thunder and lighting, i.e.,  controlling the elements.

-See the problem here?

I say if you’re going to place Mutants/Inhumans alongside other costumed heroes, then you have to make them in some way unique from the other capes.

Here’s my idea: I would establish that the mutants of Atillan would have been exposed to four varieties of Terrigen Mist: yellow, red, green and blue, each one creating 1 of 4 specific varieties of Mutant, inspired by the syndicated series Mutant X. (Bonus points to anyone who saw that show.)

You'd have FERALS, mutants exposed to yellow mist who possess both human and animal DNA: canines, felines, birds, reptiles, amphibians, etc.

You’d have FERALS, mutants exposed to yellow mist who possess both human and animal DNA: canines, felines, birds, reptiles, amphibians, etc.

“FERALS RULE!!”

“Dino Power! AHH!”

ELEMENTALS, mutants exposed to the green mist, who can manipulate nature: pyrokinietics, cryokinetics, electrokinietics, all the kinetics.

ELEMENTALS, mutants exposed to the green mist, who can manipulate nature: pyrokinietics, cryokinetics, electrokinietics, all the kinetics.

MOLECULARS, mutants exposed to the red mist, who can alter their physical forms and/or defy physical science, i.e., speedsters, shape-shifters, teleporters, etc.

MOLECULARS, mutants exposed to the red mist, who can alter their physical forms and/or defy physical science, i.e., speedsters, shape-shifters, teleporters, etc.

And PSIONICS, mutants exposed to the blue mist. Those would be your telepaths, telekinetics, telempaths, precognitives, intiuitives, technopaths, technokinetics, and New Age nuts.

And PSIONICS, mutants exposed to the blue mist. Those would be your telepaths, telekinetics, telempaths, precognitives, intiuitives, technopaths, technokinetics, and New Age nuts.

And Marvel would have to be strict with themselves; the Mutant/Inhumans could only possess power sets in one of these 4 categories or some combination thereof, and no other heroes in the Marvel Universe could possess these same abilities. Heck, why not give the Inhumans unusual-colored skin while we’re at it?

“Rainbow Power, suckas!”

This way, combined with the tattoo thing I mentioned earlier, would be a way to effectively distinguish mutants from all the other caped heroes in the MU.

“Alls I’m sayin’ is you put a mutant an’ a mutate next to each other, an’ I can’t tell ’em apart!”

3. CAN’T WE ALL JUST GET ALONG?

This is the other major thing that’s always bugged me about the X-Men mythos: look, the X-Men have been fighting the good fight since 1963. It’s been 52 years already; shouldn’t mutant/human relations have improved some by now? Even a little? Mutants still have to live in secrecy and can’t walk the streets without getting rotten egged, despite them saving the world countless times. I get that the writers want to keep the angst factor up because they think that’ll sell more books, but that whole things makes no sense. A fellow poster on the interwebz explained it to me once: “Think of it like there’s a cop or a fireman who’s really good at his job and dedicated to helping and protecting to their community, but he/she also happens to be gay or a Muslim. Even though this person does nothing but good for the community and always puts the needs of other people before his/herself, there are still those who don’t trust this person due to their being Muslim or gay or whatever.” I get that, but that theory falls apart because in the Marvel universe, no one would let a mutant be a cop or a fireman in the first place. If it were me, I’d have humans for the most part learn to co-exist with mutants. Sure, there’d still be bigots who wouldn’t trust them and bad muties who want to take over, but for the most part, humans and mutants would be able to peacefully live alongside of one another with few difficulties. It’d be like on The Super Hero Squad Show; yes, I’m drawing inspiration from a parody kids’ cartoon.

-That’s what I’d do, anyway. I do feel that there should be some form of mutants in the MCU, as they represent something which no other comic book superheroes represent: the nature and stupidity of prejudice. Everyone has felt isolated from society in some way, shape or form, be they black, white, Latino, Jewish, Muslim, LGBT or whatever, and X-Men speaks to that. So I’m sure there will always be some form of mutants in Marvel, even with some alterations made to them, and with different names and identities.

“‘Cept for me, bub! Mutant, Inhuman, potato, po-tah-to. As long as I’m bein’ worshiped by the fanboys and keep on eatin’, sweatin’ and bleedin’ money fer Marvel, the Ol’ Canuckle Head ain’t goin’ anywhere! The fans would chew their own arms off ta see me in the next Avengers movie!”

Cartoon Country: Meet the Robinsons, Act 2

Today Cartoon Country looks at Disney’s Meet the Robinsons (a very underrated film in my opinion), specifically the movie’s second act, where junior time traveler Wilbur Robinson takes boy inventor Lewis to the distant year 2037, where he meets Wilbur’s kooky family and is flung headlong into wacky antics.

Meet the Robinsons

Several folks I’ve talked to think that act 2 of the movie dragged a bit, but personally it was one of my favorite parts of the movie. It was one of the few times that Disney has attempted Looney Tunes style humor and it went off effectively.

Casa Del Robinson, complete with gold-plated robot butler!

Casa Del Robinson, complete with gold-plated robot servant!

Incidentally, act 2 of the movie is the scene which  most  closely resembles the children's book 'A Day with Wilbur Robinson', which the movie was loosely based on. In it, a boy (Lewis) visits an unusual family and their home. While spending the day in his best friend Wilbur Robinson's household, Lewis joins in the search for Grandfather Robinson's missing false teeth and meets one wacky relative after another.

Incidentally, act 2 of the movie is the scene which most closely resembles the children’s book ‘A Day with Wilbur Robinson’, which the movie was loosely based on. In it, a boy (Lewis) visits an unusual family and their home. While spending the day in his best friend Wilbur Robinson’s household, Lewis joins in the search for Grandfather Robinson’s missing false teeth and meets one wacky relative after another. There’s no time-travel or sci-fi elements in the book, just searching for teeth and wackiness.

The Robinson clan is a unique bunch to be sure, and there are a LOT of relatives present, who flit by quickly, so it’s admittedly hard to keep track of them all.

I can't not love a family who employs a purple octopus as a butler.

I can’t not love a family who employs a purple octopus as a butler.

Trivia Time: In the book, Tallulah was Wilbur’s sister, not his cousin like in the movie.

Heck, I’ll just let Lewis himself count them off. Just don’t ask about the hat.

Got that? Good, ’cause I’m not gonna repeat it. Now more shenanigans:

And…

(Is it just me, or is Franny kind of hot? Aaaaaaaaanyway….)

I can’t be the only one who thinks that this would make a cool TV series. It’d basically be Futurama meets The Banana Splits. Sure, a few things would have to be tweaked here and there: there are too many extraneous Robinson relatives floating around; an easy solution to that would be to no longer have the extended relatives reside in the mansion, just have them come visit whenever a plot or a gag calls for them. Also, Lewis couldn’t be a regular on a hypothetical Meet the Robinsons series for obvious reasons (which I won’t spoil for those who haven’t seen the film), but I have a solution for that as well: to fill in the role of Wilbur’s best friend…

Just have the family adopt an alien kid. It's the future, after all.

Just have the family adopt an alien kid. It’s the future, after all.

I’d definitely watch a cartoon like this, as long as the fruit hat stays in the picture.

Fruit hats are just always funny.

Fruit hats are just naturally funny.

Toons & Tunes: Waggle Dance

Disney’s Phineas & Ferb recently wrapped up production and aired its’ final episode. I could take or leave the show as a whole; there were some elements about it that I liked and others not so much, but the basic premise: 2 kids having crazy cool improbable fun during their summer vacation, I liked a lot. The show earned a reputation for featuring original songs in every show; again, some were better than others, but this is one I’ve always liked. P&F’s neighbor Isabella and her troupe the Fireside Girls burst into a little ditty about bee communication. Weird, but darn if it’s not a pretty cool tune. It kind of sounds like something a Rule 63 version of The Aquabats would perform. You get to learn about how bees communicate while being persuaded to shake your ass, sign me up. Enjoy the “Waggle Dance”.