Cartoon Country: Teen Force in “Word Star”

Today’s Cartoon Country is about the Teen Force.

Number 1 in tha hood, G!

Number 1 in tha hood, G!

-Ah, no. That’s the Aqua Teen Hunger Force. Not surprised about the confusion, though; every time I’ve searched for this topic on the interwebz, these guys have come up.

No, the subject of today’s Cartoon Country are in fact the Teen Force, one of the regular segments from Hanna-Barbera’s Space Stars (1981-1982), one of the many, many attempts by the Alphabet Networks (ABC, CBS and NBC) to bring Star Wars to Saturday morning in the late 70’s through early 80’s.

In space, no one can hear you smell like Teen Spirit.

In space, no one can hear you smell like Teen Spirit.

You might have encountered these shorts on Boomerang, or rather you could if they were still showing old HB toons from the Turner/Time-Warner vault and not just spamming us with episodes of Teen Titans GO! and The Amazing World of Gumball, neither of which belong there and are already airing first-run on Cartoon Network.

'BOOOOMERAAAAANNNGG!

‘BOOOOMERAAAAANNNGG!”

Teen Force focused on three superhuman young teenagers who hail from an unknown alternate universe which is located beyond the confines of the mysterious Black Hole X, which serves as a gateway into the universe in which the other main characters from Space Stars exist. Each episode would typically begin and end with our titular teen team jetting in and out of Black Hole X on their souped up space scooters.

Cool bikes, huh??

Cool bikes, huh??

One thing I never got: how the heck were they able to go in and out of a black hole as if it were just a screen door?

“Perhaps Black Hole X is not in actuality a black hole at all, but rather a rare space anomaly knows as a WHITE HOLE, a reverse black hole which returns time and matter back into the universe, or maybe it’s a WORMHOLE, an inter-dimensional gateway between vast distances in space, enabling travelers to traverse intergalactic distances in mere moments.”

“Magic. Got it.”

The Teen Force consists of:

Kid Comet, who possesses tremendous levels of superhuman speed, enabling him move at speeds exceeding the speed of light, and can even move quickly enough to travel through time. Zoom-zoom. Also, he occasionally dated Space Ghost’s sidekick and twin sister of Jace, Jan.

BOM-CHICKA-WOW-WOW!

BOM-CHICKA-WOW-WOW!

Moleculad, who can control his molecular structure for various effects. I’d like to take this opportunity to apologize to this guy. When I was a kid, I thought Moleculad was lame because I originally though all he could do was transform into a mass of random molecules, Big Whoop, but after re-watching some of these shorts, I realized he could do other things, like in one instance he rearranged his molecules to morph himself into a lookalike of Elektra and in the episode we’ll be discussing here, he rearranges the molecules of a common rock to resemble a precious stone. So sorry for calling you wack earlier, guy.

And Elektra, who possesses the psionic disciplines of telepathy, telekenesis, and teleportation.

“Copycat!”

Accompanying them are a pair of diminutive blue-skinned aliens named Plutem and Glax, also known as the Astromites. TRIVIA TIME: Glax and Plutem’s bleep-bloop-blip dialogue was provided by Police Academy‘s Michael Winslow.

What exactly, were these 2, anyway? They looked roughly humanoid, rode ther own cycles and wore clothes, yet they didn't talk, had no powers and were often lumped alongside Blip, Gloop, Gleep and the other pets on the show. Were they sapient beings, the Teen Force's pets, or what?

What exactly, were these 2, anyway? They looked roughly humanoid, rode ther own cycles and wore clothes, yet they didn’t talk, had no powers and were often lumped alongside Blip, Gloop, Gleep and the other pets on the show. Were they sapient beings, the Teen Force’s pets, or what?

“They were wannabes, that’s what they were. Yours truly is the Cadillac of goofy comic relief sidekicks!”

Their principal enemy in the series is Uglor, a mutant native and tyrannical ruler of the planet Uris (whose inhabitants are a race of evolved simians) in Galaxy Q-2. Uglor’s mutancy granted him bird-like wings and the ability to generate destructive energy blasts from his bionic eyes, which allowed him to see through Space Ghost’s Inviso Power and Elektra’s telepathic illusions.

Even by mutant alien ape standards, this guy was no looker.

Even by mutant alien ape standards, this guy was no looker.

The episode of Teen Force we’ll be examining today is the short “Word Star”. (No, that’s not something from The Electric Company.) I’d like to show you the short itself, but unfortunately it’s not currently available for viewing. It was on YouTube for a time, but during the time I was researching for this article, it got taken down from there.

“YOOOOU TUUUUUUBE!”

“Word Star” followed a fairly typical formula: Uglor discovers the existence of the Word Star, an all-powerful McGuffin which enables anyone who possesses it basically do anything, and naturally he wants to get his grimy monkey paws on it. The Teen Force naturally intervene to stop that from happening. After some back-and-forth (including Moleculad slipping Uggs a fake by shifting the molecules of an ordinary rock–that nifty trick I listed above), the Teens succeed in snagging the Word Star away from Ol’ Ugly. Then they do the same thing that so many heroes have done in so many other shows: when faced with the prospect of ridding the universe of Uglor once and for all, say by blasting him to his component atoms or shrinking him down to the size of a bug and going clog-dancing or sucking him into an empty beer can and sealing it shut, they opt not to do it, on the grounds that, say it with me now: “If we did that, we’d be no better than him.”

Gag me with a space spoon!

Gag me with a space spoon!

Yeah, yeah, I know heroes have to walk a fine line, that they have to set a good example for the kiddos at home and all that good stuff, but I get so tired of that cliche. Maybe it’s me, but I would’ve rather seen it end this way:

“If you use the Word Star to vanquish your foes, young ones, you’ll be no better than Uglor.”

“Works for us!”

“We’re awesome. Now who wants monkey brains?”

-END OF EPISODE-

-Hey, a fella can dream, can’t he?

TV Special Tonight!: NBC’s Laugh Busters

On this TV Special Tonight, we’ll be looking back at a product of a bygone era. Saturday morning cartoons on the broadcast networks are rare enough these days, but today, we’ll be revisiting something even harder to find these days: the Saturday morning preview special.

Today we'll be tracking down the elusive Saturday morning network preview special. A creature which, due to corporate network greed and an ever expanding cable TV juggernaut, has been hunted to near extinction.

Today we’ll be tracking down the elusive Saturday morning network preview special. A creature which, due to corporate network greed and an ever expanding cable TV juggernaut, has been hunted to near extinction.

This will (hopefully) be the first of several SatAM preview specials that we’ll be covering here. It’s Friday night. You’re all hopped upon Pop Rocks and you’re both bummed that school has started up again but at the same time, you’re stoked because the usual broadcast network prime time drivel is being preempted so that the network can give you a small taste of the animated kid-vid brain rot that you’ll be indulging in the following morning. Then one night, specifically on September 8, 1984 at 8:30 PM, you discover this:

Laugh-Busters

Before we dig in, I feel a little background information is needed in order for all the Millenial types who weren’t alive during this period to understand what the Idiot Box was like during this time. You see, back then, there were only 3 networks (this was B.C., Before Cable, and even before FOX), and each of them had their own unique approach to the Saturday Morning Preview Special:

ABC typically put the most into their specials, usually framing them as a glitzy variety show with tons of musical numbers and special guest stars (“Wow. Kristy and Jimmy MacNichol again!!“) or setting them at Kings Dominion.

CBS was often the most laid back about theirs, not advertising them and keeping the production values and effects to a minimum. “Tune in and watch…you know, if you feel like it.”

NBC’s specials, more often than not, told a story. Nothing along the lines of Wuthering Heights, mind you, some thinly and clumsily put-together plot involving one of more of the “stars” that were working on the network at the time. Their guest star roster usually never went beyond whoever was on the NBC lot who they could convince to stick around for an extra day of shooting, and the specials would usually be built around a then-hot TV show or movie genre. Laugh Busters was no exception: its’ title was (no prizes for guessing) a takeoff on Ghostbusters, which was a huge hit the summer of that same year, but the that’s where the similarities between Columbia Pictures blockbuster and this special end, so if you were expecting to see Mr. T, Simon the Chipmunk and Hefty Smurf laser blasting specters with proton packs, you’re in for a disappointment. Now, on to the “story”:

Laugh Busters starts with the making of the actual special itself (whoa, meta!), featuring all of NBC new cartoon characters as well as the Smurfs, Spider-Man, Mr. T, Alvin & the Chipmunks, and the cast of Going Bananas, a Hanna-Barbera produced live-action show about an orangutan named Roxana Banana who gets superpowers after being zapped by a UFO (we are not making this up).

Director-DW-and-Assistant

Incidentally, we wanted to cover Going Bananas in the Retro Bin, but we weren’t able to find enough information on it. there are no clips or footage to be found anywhere, and the show doesn’t even have an entry on Wikipedia. Just process that for a second: Going Bananas was so bad that the internet rejected it. Anyways, the director in charge of the special, D.W. (not Arthur’s sister!) is suddenly confronted by an evil wizard played by the same actor, named Gargelmore.

Oh, that's funny. The villain's name is Gargelmore. It's like Gargamel, but not. NBC's writing staff mustve stayed up all night dreaming up that name.

Oh, that’s funny. The villain’s name is Gargelmore. It’s like Gargamel, but not. NBC’s writing staff mustve stayed up all night dreaming up that name.

“Actually we wanted Gargamel himself to be the villain of this special, but when we asked Paul Winchell if he’d mind doing an extra voice acting job for us for free, he told us to go jump in the lake. Go figure.”

Garglemore’s Evil Plan (TM) is to destroy NBC and put an end to laughter once and for all, because it seems he’s allergic to laughter (write this down, because its a plot point). And I though my allergy to dust mites was embarrassing.

  • STEP 1: Ruin an NBC SatAM preview special.
  • STEP 2: Eliminate all laughter from the world.
  • STEP 3: Profit???

If Garglemore really didn’t want to laugh, he could’ve just sat through a Small Wonder marathon.

To put his scheme into motion, Gargelmore enlists the aid of the Gritz Brothers, Hank and Hubie. Since we know none of you saw Going Bananas, the Gritz Brothers were the Bulk & Skull-esque baddies from that show. They were 2 sloppily dressed con artists sharing a single brain, and Hank had most of it.

Incidentally, Hank Gritz was played by the late James

Incidentally, Hank Gritz was played by the late James “1987 Shredder/Uncle Phil” Avery.

Idly, one wonders exactly why the Gritz Brothers agreed to assist Gargelmore. What did Hank & Hubie stand to gain from eliminating laughter from the world? Did Gargelmore promise them free hot dogs for life? A shiny new Volkswagen Beetle? Backstage passes to any Nitty Gritty Dirt Band concert? The mind boggles.

To further show us all how eeeeeeeeeeeeevil he is, Gargelmore kidnaps the Smurfs, one of NBC’s biggest draws (not just on Saturday morning, but on the network as a whole; seriously it was them, Mr. T, Gary Coleman and Johnny Carson, that was it). The kidnapping happens off-screen of course. You know how much action scenes cost?

How did Garglemore do it? Magic or budget restraints, potato, po-tah-to.

How did Garglemore do it? Magic or budget restraints, potato, po-tah-to.

The Gritzes are instructed to keep the rest of NBC’s “stars” from getting to the special, which is being taped in Beautiful Downtown Burbank. Hank and Hubie spend the rest of the special devising Wile E. Coyote style traps for the other characters.

Thankfully, actor Thom Bray (aka Murray “Boz” Bozinski from NBC’s then hit action show Riptide, aka the only actor from Riptide who was willing to show up to do this thing) and his sidekick the Roboz (as we understand it, the robot only showed up due to a clause in his contract that stated that he had to go everywhere Boz goes) arrive on the scene to set things right. They end up helping to track down the missing stars and cartoon characters starting with Spider-Man, then starring in Spider-Man and his Amazing Friends.

Thom-Bray

Animated Spidey gushes to himself (courtesy of episode footage from Amazing Friends with new dialogue inserted over it) about how thrilled he is to be on NBC’s Saturday morning lineup as he web-slings from his home in New York City all the way to Burbank, California (no, really, that’s what he does) to the tune of Huey Lewis and the News’ “The Heart of Rock and Roll” What??

“I just swung in from New York, and boy, are my arms tired!” Seriously, I need like a gallon of water and a ton of Icy Hot, stat!”

However, the Gritz Brothers are waiting for him, and trap the Wall Crawler on a giant piece of ACME Fly Paper. (No we’re not kidding.) When Spider-Man goes splat, he magically changes from a cartoon to live-action. This is going to happen a lot in this special; apparently it takes place in the same weird toon-to-live-action space warp that was present in Hanna-Barbera’s All-Star Comedy Ice Review.

Spiderman

Boz and Roboz somehow detect this (that must have been one heck of a GPS Boz installed in him) and calls some honky-tonk bar in the middle of One Horse, USA where then Diff’rent Strokes child actor Danny Cooksey (who’d go on to be the voice of Montana Max, Milo Kamalani and Jack Spicer and play Bobby Budnick on Nickelodeon’s Salute Your Shorts) is performing “Mamas Don’t Let Your Babies Grow Up to be Cowboys” (we don’t know why either). Also in attendance are the cast of another NBC SatAM show, Kidd Video and Alfonso Ribero, still riding high off of the popularity of his memorable Pepsi cola commercial in which he co-starred with the too-famous-to-appear-in-this-special Michael Jackson. This was prior to The Fresh Prince of Bel Air, by the way, so we won’t be making any Carlton jokes here.

Carlton Dance Gif

OK, maybe one.

Danny answers Boz’s distress call and agrees to help, though being just a kid, he needs a ride. Boz enlists KITT from Knight Rider to lend a hand. They couldn’t get the Hoff to appear in this special ’cause he’d want money, but William Daniels does voice KITT here, though he goes uncredited. Evidently Mr. Daniels is OK with voicing a talking car in an action show, but voicing a talking car in a SatAM preview special might damage his credibility as an actor. KITT and Danny rescue Spider-Man (who’s still a live-action guy in a costume, by the way) and the Gritzes turn their attention to their next targets, Kidd Video. Kidd Video was a short-lived Saturday morning live-action/animation hybrid about a faux teen rock band who get sucked into a cartoon world, that’s all you need to know about it, aside from the fact that the band’s fairy friend Glitter was voiced by a young Cathy Cavadini, who’d go on to provide the voice of Blossom on The Powerpuff Girls.

The Gritzes literally send a rolling rock (rock & roll, get it?) hurtling towards the band, knocking the Kiddmobile from Animation Land to the real world (what the heck was that rock made of, anyway?). With their van wrecked, the only logical thing for the band to do is what else? Perform a musical number! Specifically, the show’s theme, “Video to Radio”. Somehow Roxana Banana, the orangutan from Going Bananas is listening to this performance on the radio, despite there being no transmitters or microphones around where Kidd Video are stranded, and the GB gang ride to the band’s rescue in their RV. Did we mention the main characters on Going Bananas lived in an RV?

Here’s where things start to get weird. (Yeah, this is where it starts to get weird.) The Gritz Bros. board a train carrying Dave Seville and the singing chipmunks (actually a clip from one of that season’s Alvin and the Chipmunks episodes with original dialogue inserted to fit the “plot” of the story. At least NBC was able to get Ross Bagdasarian Jr. to read the lines). Hank & Hubie steal the Chipmunks’ tickets, somehow (we don’t get to see them do it) so they’ll get kicked off the train. Sure enough, when the train’s conductor (who’s played by a live actor), wants to see Alvin and company’s tickets, they can’t produce them, and so the animated Alvin, Simon and Theodore magically transform into over sized costumed mascots when they’re thrown off of the train. There’s that weird dimensional warp again! Thankfully, they aren’t marooned for very long. Boz flies over in the Riptide helicopter (named the “Sreaming Mimi”) to rescue the Chipmunks before they have to resort to eating each other.

Yeesh! What sort of vitamins has Dave been feeding those guys?!

Yeesh! What sort of vitamins has Dave been feeding those guys?!

Next up, the animated Mr. T and his band of gymnasts from their cartoon series arrive a meet only to discover

Yes, a trap by the Gritz Brothers, who are attempting to steal their van. Curiously, Mr T. only appears in animated form in this special. Why couldn’t NBC get the real Mr. T to show up here? Mr. T was on everything on NBC at that time! Did he have something better to do? Was somebody making a sequel to D.C. Cab?

Of course, you don’t dare cross Mr. T, and naturally once he catches on to what they’re trying to do he gives chase. Though, again since Mr. T is only in cartoon form here and the producers couldn’t afford rotoscope, we’re treated to an amazing scene featuring the animated T chasing down the live-action Gritz Brothers, relying on Mr. T’s incredible jump-cutting powers.

When Mr. T finally corners the Gritzes and forces them to hand over the keys, we see somebody's arm come into shot. I can imagine how that went down: some NBC exec went over to the Gold's Gym across the street, found some buff dude lifting weights and said to him

When Mr. T finally corners the Gritzes and forces them to hand over the keys, we see somebody’s arm come into shot. I can imagine how that went down: some NBC exec went over to the Gold’s Gym across the street, found some buff dude lifting weights and said to him “We’d like to borrow your arm for this TV special we’re shooting.”

Next up is Pink Panther and Sons.

Hey! Do you remember the wild and wacky misadventures of the Pink Panther's 2 young sons and their friends? Neither do we.

Hey! Do you remember the wild and wacky misadventures of the Pink Panther’s 2 young sons and their friends? Neither do we.

To stop them, the Gritz Brothers paint a tunnel onto a huge boulder as Pinky and Panky’s cartoon selves ride towards them on a bicycle. Anyone who’s ever seen a Road Runner cartoon in their lives knows what happens next: The weird space dimension thing kicks in again, changing Pinky to a live-action guy in a costume, Panky mysteriously disappears and Pinky rides harmlessly through the fake tunnel as if it were real. When the Gritzes try to give chase, they smack headlong into the boulder. Cue the Waw-waws.

If Chuck Jones didn't get a royalty check for this gag, he should have.

If Chuck Jones didn’t get a royalty check for this gag, he should have.

The next to last show to be targeted is Snorks. This time Hank and Hubie learn that the Snorks entire undersea civilization runs on steam (don’t ask how they found this out; Wikipedia wouldn’t come into existence for another couple of decades), so they take control of one of NASA’s inter-continental ballistic missiles (sure, why not?) with a remote control and crash it into the sea sealing off an underwater volcano. We then switch to animation, where the Snorks remove the missle from the volcano, foiling yet another Gritz plan.

“I’m only going to say this once: stop dumping crap into my oceans, or you’ll be sorry! This ain’t ‘Robot Chicken’. I’m the flippin’ King of the Sea! I’ll kick your ass!”

Finally, the special saves the network’s biggest hit, Smurfs, for last. Papa Smurf, the only Smurf who wasn’t captured by Gargelmore, arrives on the scene, as Generic Smurf assures his fellows, “Papa Smurf is gonna save us!” Papa confronts Gargelmore in his lair and notices the guy’s trying hard not to laugh. (He’s allergic to laughter, remember?) Papa Smurf tosses a magic formula he’s concocted at Gargelmore, causing him to evaporate into thin air. So that’s how this conflict is finally resolved: in the bluntest terms, Papa Smurf kills Gargelmore. Yes, this is something that happened.

“Hey, that’s how I roll. You mess with my boys and you face the wrath of Big Papa! That’s how we do things in the Smurf Village! Represent!”


With the “threat” gone, the entire cast, save for Thom Bray and the guy in the Pinky costume (they must’ve just figured enough was enough) get together on a stage and boogie down to a sound-alike of Ray Parker Jr,’s Top 20 hit “Ghostbusters”.

“Who am I gonna call? My attorney! Hello, lawsuit!”

OK, Laugh Busters was a little bit hokey (OK, a LOT hokey) and the budget for this special could be used to fill a thimble, but still there’s a certain campy charm to it, like most Saturday morning preview specials. If nothing else, it’s a fun romp to riff on, MST3K style. If you can manage to find it on VHS somewhere (sadly, little to none of these specials exist on DVD), give it a watch. One thing’s for sure, in the fall of 1984, NBC’s pride (not to mention their age) was showing.

Toons & Tunes: Mission Magic Intro featuring Rick Springfield

Before rocker Rick Springfield was wishing he had Jessie’s Girl and staffing on General Hospital, he was serving duty on Saturday morning in Filmation’s SatAM toon, Mission: Magic!, which ran on ABC from 1973 to 1975. Mission: Magic! was about Miss Tickle, a schoolteacher who was a also a witch (of course she needed another job, you know how much teachers make?) who takes her class of 6 quirky students on mystical, magical adventures (sort of a Mod Magic School Bus before it happened), aided by Springfield as a toonified version of himself. Though the show’s star was a witch, Springfield received top billing. Getting billed over a witch, now that’s star power.

-Wait. The witch teacher’s name is…Miss…Tickle. Her name is a play on the word “mystical”! I only just now got that!

Mission: Magic! was a spinoff of sorts from ABC’s The Brady Kids (Miss Tickle guest starred in an episode of the show, which served as a backdoor pilot for MM) and the series boasts one of THE most psychedelic openings of all time. Dr. Timothy Leary would be proud. Rick sang the show’s theme song, obviously, and while it’s trippy as all-get-out and very early 70’s, it’s still a pretty decent tune. Tune in, turn on, drop out and enjoy.

The Retro Bin: SMES (Saturday Morning Entertainment System)

Kids love Saturday morning cartoons, and kids love video games, so wouldn’t it be great if someone made a Saturday morning cartoon based on a video game? Thankfully, someone did. Today the Retro Bin looks at SatAM video game-based cartoon shows. Shows such as The Super Mario Brothers Super Show! ..Or Captain N: The Game Master…. ..Neither of which I’ll be discussing here. These shows have already been covered quite tellingly by other online personalities, most notably Doug Walker (the Nostalgia Critic) and Chad Rocco (CR!), so there’s nothing I can say about these cartoons that hasn’t already been said. We also won’t be covering The Power Team or Pac-Man and the Ghostly Adventures since Twinsanity has already discussed those shows here and here. There was also a little thing called Club Mario….

(Yeah, this happened)

…But the less said about that, the better.

“What were they thinking?!?”

Now on to the shows we will be discussing. The very first American cartoon based on a video game was Pac-Man, which ran on ABC Saturday morning from 1982 to 1983.

OK, one thing I never got about this show: what was that guy Mezmaron’s deal? Who or what was he? Why was he the only humanoid in Pac-Land? Why did he want the Power Pellets anyway? And why did he need them take over (or whatever his motivation was)? The guy was a freaking GIANT compared to the Pac-Landers; he could’ve just stomped through the city Godzilla style to get what he wanted. Come to think of it, I could never truly get into this show because of how badly Hanna-Barbera messed up on the ghost characters… They made Clyde the boss, Inky the dufus and Blinky a coward. Have these people not played the game? Were they really that blind to Pac-Man lore? It was NEVER like that in the games. Anyone who’s played the games knows that BLINKY is the lead ghost, as he’s the fastest, Pinky tries to ambush Pac, Inky’s moves are random and Clyde is the slowest ghost, hence their names:

CHASER (Blinky), AMBUSHER (Pinky), FICKLE (Inky) and STUPID (Clyde).

There were never 5 ghosts and there was no purple ghost. Yes, Virginia, there was a Sue, but that was just the name of the orange ghost in Ms. Pac-Man. if HB wanted a female ghost, why didn’t they just make Pinky female like every other adaptation of Pac-Man did? And why were called the “Ghost Monsters” anyway? That’s redundant, like saying “Vampire Ghouls”.

Moving on, in response to Pac-Man on ABC, a year later CBS countered with Saturday Supercade, produced by Ruby-Spears, figuring if 1 video game cartoon was working for ABC, then surely a show with several video games would work for them. Surely. Saturday Supercade featured no less than 5 separate segments, so much so that 2 of them, Pitfall! and Q*Bert had to rotate in order to fit the 60-minute allotted time frame.

The first season roster went thusly: there was Donkey Kong, in which the titular gorilla had escaped from a zoo and was now roaming the countryside, relentlessly pursued by Mario and Pauline encountering highjinks along the way. (Clearly we the audience were supposed to be rooting for the gorilla, which is weird considering how in the original game Mario was the character you played as. This series seemed to be following the continuity of Donkey Kong Junior, which begins with Mario having captured DK. Given the video game icon Mario would go on to be, seeing him as the antagonist was kind of funny.) Running concurrently along that series was the aforementioned Donkey Kong Jr., in which Junior is also roaming the countryside looking for DK Sr., also encountering highjinks along the way.

So are the Days of Our Lives.

Then there was Frogger, which depicted the title character as an investigative reporter for the Swamp Gazette, and all of his assignments involved him crossing some street and getting hit by a car, leaving him squished flat with flies buzzing over his carcass.

“Ew.” “Seriously?” “So gross.”

Q*Bert featured the orange Noser as a teenager in a quasi-1950’s suburban setting, complete with malt shops, jukeboxes, his game enemies Coily, Ug, Wrong-Way and Viper as Aaron Von Zipper-esque greasers, a little brother named Q*Bit, a girlfriend named Q*Tee (get it?), a dimwit best buddy in a Fonzie jacket named Q*Ball and as an added bonus, one of the show’s background characters was a female Noser named Q*Val who despite the 50’s era setting, spoke stereotypical Valley Girl lingo (this was the 80’s after all)…and that was her entire character shtick! Q*Val proved so popular with fans that in the second season, she supplanted Q*Bit as the 4th main character, so were were treated to even more lines like:

“I am totally, like, cubing out to the max!”

“Wow. She sure mastered that one dimension.”

The final attraction was Pitfall!, based on the Activation game of the same name, which featured the game’s hero Pitfall Harry, his niece Rhonda, a cowardly panther mascot named Quickclaw and lots and lots of swinging on vines. Saturday Supercade‘s second season only had 4 segments, so no 2 needed to rotate.

For season 2, Pitfall!, Frogger and Donkey Kong Junior were each given the ol’ pink slip, so if there ever was a heartfelt reunion between DKs Senior and Junior, we never saw it. As for whatever became of Frogger and Pitfall Harry?

The new attractions were Kangaroo, again based on the game of the same name, starring the titular star (here named KO Katie), her joey, imaginatively named Joey, and their friends having mild adventures in a city zoo. The Monkey Biz Gang (Bingo, Bango, Bongo and Fred), enemies who kidnapped Joey in the game, were here given Bulk & Skull status: not actually evil, just selfish, scheming and stupid. The show deserves some credit for remembering Kangaroo; most of our contemporaries have forgotten that game ever existed. The other new segment was Space Ace, which basically followed the same plot as the game: a blond bohunk space ranger battles an evil blue skinned alien named Borf (excuse me!), whose main weapon of choice was the dreaded Infanto Ray, which turned its victims into babies. Ace gets hit by the ray prior to the first episode, but of course he’s too much of a manly man to be fully transformed, so instead of getting turned into an infant, he just occasionally switches back and forth between his normal form and that of a 19 pound weakling called ‘Dexter’, whom Ace’s partner, Officer Kimberly, tries to pass off as her little brother, so as not to alert their superior officer of Ace’s condition (though you’d have to be blind or terminally stupid to not guess that they were one and the same; Space Ace and Dexter were never seen together, they had the same hair color and outfits, sometimes dude would transform right in front of the guy and he never spotted it!). The most notable thing about the Space Ace cartoon was that Kimberly was voiced by Nancy Cartwright (aka the Woman who Would Be Bart Simpson) and how she went from looking like this…

PG-13!

To looking like this.

PTA-Safe.

USA Network has also tossed their hat in the video game cartoon ring. There was Street Fighter: TAS.

Hey, here’s an idea: let’s make a cartoon based on Street Fighter, but instead of making it like the game that everyone loves, let’s base it on that craptacular live-action movie, you know, the one where Belgian action star Jean-Claude Van Damme was hilariously miscast of all-American hero Guile, M. Bison was made into Magneto, Chun-Li became Lois Lane, Blanka was Charlie, Dhalsim was a scientist with hair, E. Honda was a hacker, Balrog tried typing on a computer while wearing boxing gloves, Ryu and Ken, the main characters of the game, were remade into the Two Stooges, Zangief worked for Shadaloo even though he never had any association with them in the game, Sakura appeared in a single episode and sounded like a 30-year-old and had a completely different back story, Akuma had a British accent, nothing in it resembled the game in any way and it sucked? Let’s go with that!

“Ew.” “Seriously?” “So dumb.”

USA also gave us Mortal Kombat: Defenders of the Realm.

Hey, another idea: let’s take Mortal Kombat, a game known for its’ graphic violence, murder and gore, a game which all but forced the ESRB ratings system into existence, and turn it into a watered-down kids’ cartoon without a drop of blood and no one ever dies? I love it! Give me 13 more!

Well, the show at least featured Clancy Brown as a snarky, sarcastic Raiden, so there was that.

Finally, take that Donkey Kong Country cartoon that aired on Fox Family…please.

“Ew.” “Seriously?” “So cheap.”

OK, this was only around 1999-2000, CGI was in its’ Stone Age, so I can overlook the creaky graphics, what I can’t excuse is how there were so many fun, and entertaining elements to the games this show was based on, and it utilized absolutely NONE of them. Where were the inventive levels? Where was Rambi, Squitter, Engaurde, Gnawty Beaver et al? What’s all this business about a Crystal Cocunut? What is Congo Bongo? The name of the place is Donkey Kong Island. Why is there a factory in the jungle? Who is this Bluster character? If they wanted a rival Kong for an adversary, why didn’t they use Manky Kong? Why’d they change so much? Did they think if the show resembled the game that no one would take it seriously? We’re talking about a game series about a clan of gorillas protecting their banana horde from sinister reptiles. What were they expecting? The Last Emperor?

Not all video game cartoons were perfect, but there was a certain charm to some of them. They weren’t the worst things video game related to hit TV.

Not by a looooooong shot.

Toons & Tunes: The Ewoks/Droids Adventure Hour Intros

Today we’re forcing you to remember The Ewoks/Droids Adventure Hour, a Saturday morning cartoon series based on the popular Star Wars franchise, but taking place after Return of the Jedi, which aired on ABC from 1985 through 1987. It was that special time when the Star Wars movies had ended but George Lucas realized he could still milk this cash cow for all its’ worth by shilling it out to every other possible media (including a goshawful fighting game), SatAM included. So this is sort of both a Toons & Tunes as well as a Cartoon Couch, since most of our contemporaries have forgotten this series existed.

I won’t be doing full reviews on either show, since what I remember of both the Ewoks and Droids cartoons respectively, is that they were each a bit boring. Honestly, the best things about both shows were their opening theme songs. First up, the theme from Ewoks. This show was basically one of the many “cute, cuddly creatures living together in a community forest setting” cartoons created in the wake of NBC’s Smurfs, only set in the Star Wars universe. Give a listen:

Great, now I’m going to be hearing “E-E-E-E-Ewoks” in my head for the rest of the day. Still catchy, though.

Next up, the Droids opening. Droids was the more traditionally Star Wars-ey of the 2 shows, with R2-D2 and C3PO passing through various human masters and encountering sci-fi adventures along the way (just no appearances by any of the human characters from the movies, they’d want money for the use of their likenesses, after all) Unlike Ewoks, which boasted a single stand-alone story in each episode, the Droids episodes were each mini-serials, with the stories contained within 3 or 4-part sagas, but each ep still being a self-contained story with no cliffhanger endings. And again, the opening theme was the best thing about the show.

https://www.youtube.com/watch?v=S7XCe2XorcY

Droids was the slightly more ambitious of the 2 toons, so not surprisingly it was gone after a single season. The following year, only Ewoks returned as a stand-alone series entitled All-New Ewoks, with–drag!–an entirely different theme song:

Granted, this 2nd opening is more indicative of the sort of thing the Ewoks would perform (heck, it’s very similar to the some the ‘Woks were jamming to at the end of Return of the Jedi–which I’m sure was the idea), but I still like the first theme better. I don’t know much about Star Wars, but I know what earworms I like.

Neither Ewoks nor Droids set the world on fire, but trust me, there are worse Star Wars cartoons out there. Much worse.